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THE GREAT GOOD THING

Enchantment rules: the power of story; the uses of dream and memory; and the eternal childhood question of where beloved characters live when their book is closed are just some of the skeins of this utterly winning book. Puckish humor, burnished imagination, and sheer delight in words, in telling, fill the tale of Sylvie, a princess who longs to have adventures before she gets married off. It has been a long time since anyone read the book where she, her family, and the rest of the characters dwell. Townley has it all worked out with energy and grace: characters rushing about to get in their proper positions when the book is opened; the sly humor of watching some grow into their personalities and others constricted by them. A young reader named Claire picks the book up because reading it aloud seems to ease her dying grandmother. In Claire’s dreams, Sylvie discovers other places besides her own story to explore, some beguiling, some terrifying. But as Claire grows up, she dreams less and less of her favorite book, especially after it is lost in a fire. Sylvie and the other characters must find other places to live among Claire’s forgotten memories, and they are led by a girl with Claire’s grandmother’s dark blue eyes. When Claire herself lies dying, her daughter who remembers the story, and writes it down so that Sylvie might live on. With inspiration from Lewis Carroll to The Truman Show and The Purple Rose of Cairo, Townley has created that most impossible thing: a book beloved from the first page. (Fiction. 10+)

Pub Date: May 1, 2001

ISBN: 0-689-84324-0

Page Count: 232

Publisher: Richard Jackson/Atheneum

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2001

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THE TRUE MEANING OF SMEKDAY

Gratuity Tucci (“Tip” for short) has a problem. Aliens have invaded Earth, stolen her mother, and now she and the rest of humanity are being shunted onto small reservations while the invaders (the Boov) take over the rest of the planet. In avoiding this plan, via her family car, Tip runs across J.Lo, a renegade Boov with problems of his own. Together, girl and alien attempt to locate Tip’s mother only to discover that an even greater alien threat is imminent. It’s up to the two heroes to defeat the invaders, Boov and otherwise, and save the day. The humor in this story is undeniably unique, containing a skewed worldview that children will certainly enjoy. Yet while the first half of the book is an entirely funny road trip of the Kerouac-meets-E.T. variety, the second half slows down considerably. Rex has such a nice grasp of small tender moments amidst a world gone haywire, it’s a pity the book wasn’t pared down significantly. Inspired but problematic. (Fiction. 11-15)

Pub Date: Sept. 1, 2007

ISBN: 978-0-7868-4900-0

Page Count: 432

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2007

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THE LAST EVER AFTER

From the School for Good and Evil series , Vol. 3

Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and...

Good has won every fairy-tale contest with Evil for centuries, but a dark sorcerer’s scheme to turn the tables comes to fruition in this ponderous closer.

Broadening conflict swirls around frenemies Agatha and Sophie as the latter joins rejuvenated School Master Rafal, who has dispatched an army of villains from Capt. Hook to various evil stepmothers to take stabs (literally) at changing the ends of their stories. Meanwhile, amid a general slaughter of dwarves and billy goats, Agatha and her rigid but educable true love, Tedros, flee for protection to the League of Thirteen. This turns out to be a company of geriatric versions of characters, from Hansel and Gretel (in wheelchairs) to fat and shrewish Cinderella, led by an enigmatic Merlin. As the tale moves slowly toward climactic battles and choices, Chainani further lightens the load by stuffing it with memes ranging from a magic ring that must be destroyed and a “maleficent” gown for Sophie to this oddly familiar line: “Of all the tales in all the kingdoms in all the Woods, you had to walk into mine.” Rafal’s plan turns out to be an attempt to prove that love can be twisted into an instrument of Evil. Though the proposition eventually founders on the twin rocks of true friendship and family ties, talk of “balance” in the aftermath at least promises to give Evil a fighting chance in future fairy tales. Bruno’s polished vignettes at each chapter’s head and elsewhere add sophisticated visual notes.

Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and flashes of hilarity. (Fantasy. 11-13)

Pub Date: July 21, 2015

ISBN: 978-0-06-210495-3

Page Count: 672

Publisher: Harper/HarperCollins

Review Posted Online: June 25, 2015

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