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THE MOSTLY TRUE ADVENTURES OF HOMER P. FIGG

Shortly after this lively comic yarn opens, Homer, a half-starved orphan boy who lives in rural Maine with his mean-spirited uncle and 17-year-old brother Harold, helplessly watches as Harold is sworn into the Union Army. After finding out that their avaricious uncle sold his underage nephew to substitute for a richer neighbor in the Civil War, 12-year-old Homer takes off on a rescue mission. On the way, Homer is kidnapped by some nefarious slave-catchers, joins a traveling medicine show and holds up the Union colors during the Battle of Gettysburg. Bursting with vividly voiced characters and descriptions so crisp they practically crunch, the story is trenchantly narrated in the first person by Homer, a resourceful, sharp-witted child who is never without a lie in his pocket. Despite the overall comic tone, Philbrick makes serious points about the evil of slavery, the horrors of war, inexplicable bravery, ethical decision-making and the need to move forward in one’s life. (Historical fiction. 9-12)

Pub Date: Jan. 1, 2009

ISBN: 978-0-439-66818-7

Page Count: 224

Publisher: Blue Sky/Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2008

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MIDNIGHT WITHOUT A MOON

The bird’s-eye view into this pivotal moment provides a powerful story, one that adults will applaud—but between the...

The ugly brutality of the Jim Crow South is recounted in dulcet, poetic tones, creating a harsh and fascinating blend.

Fact and fiction pair in the story of Rose Lee Carter, 13, as she copes with life in a racially divided world. It splits wide open when a 14-year-old boy from Chicago named Emmett Till goes missing. Jackson superbly blends the history into her narrative. The suffocating heat, oppression, and despair African-Americans experienced in 1955 Mississippi resonate. And the author effectively creates a protagonist with plenty of suffering all her own. Practically abandoned by her mother, Rose Lee is reviled in her own home for the darkness of her brown skin. The author ably captures the fear and dread of each day and excels when she shows the peril of blacks trying to assert their right to vote in the South, likely a foreign concept to today’s kids. Where the book fails, however, is in its overuse of descriptors and dialect and the near-sociopathic zeal of Rose Lee's grandmother Ma Pearl and her lighter-skinned cousin Queen. Ma Pearl is an emotionally remote tyrant who seems to derive glee from crushing Rose Lee's spirits. And Queen is so glib and self-centered she's almost a cartoon.

The bird’s-eye view into this pivotal moment provides a powerful story, one that adults will applaud—but between the avalanche of old-South homilies and Rose Lee’s relentlessly hopeless struggle, it may be a hard sell for younger readers. (Historical fiction. 10-12)

Pub Date: Jan. 3, 2017

ISBN: 978-0-544-78510-6

Page Count: 320

Publisher: HMH Books

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 15, 2016

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BEN FRANKLIN'S IN MY BATHROOM!

It’s not the first time old Ben has paid our times a call, but it’s funny and free-spirited, with an informational load that...

Antics both instructive and embarrassing ensue after a mysterious package left on their doorstep brings a Founding Father into the lives of two modern children.

Summoned somehow by what looks for all the world like an old-time crystal radio set, Ben Franklin turns out to be an amiable sort. He is immediately taken in hand by 7-year-old Olive for a tour of modern wonders—early versions of which many, from electrical appliances in the kitchen to the Illinois town’s public library and fire department, he justly lays claim to inventing. Meanwhile big brother Nolan, 10, tags along, frantic to return him to his own era before either their divorced mom or snoopy classmate Tommy Tuttle sees him. Fleming, author of Ben Franklin’s Almanac (2003) (and also, not uncoincidentally considering the final scene of this outing, Our Eleanor, 2005), mixes history with humor as the great man dispenses aphorisms and reminiscences through diverse misadventures, all of which end well, before vanishing at last. Following a closing, sequel-cueing kicker (see above) she then separates facts from fancies in closing notes, with print and online leads to more of the former. To go with spot illustrations of the evidently all-white cast throughout the narrative, Fearing incorporates change-of-pace sets of sequential panels for Franklin’s biographical and scientific anecdotes. Final illustrations not seen.

It’s not the first time old Ben has paid our times a call, but it’s funny and free-spirited, with an informational load that adds flavor without weight. (Graphic/fantasy hybrid. 9-11)

Pub Date: Sept. 26, 2017

ISBN: 978-1-101-93406-7

Page Count: 240

Publisher: Schwartz & Wade/Random

Review Posted Online: May 9, 2017

Kirkus Reviews Issue: June 1, 2017

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