A captivating, complicated take on coming-of-age.
This tender debut novel follows Gregorio Pasos, a 21-year-old Colombian American who’s prone to injury.
The novel opens just after his third hospitalizing soccer injury, which forces him to spend a month in recovery. During that time, he sleeps, dreams, and narrates a life of many different injuries as an immigrant. As the child of divorced parents and of both Colombia and the United States, Gregorio grew up with a constant feeling of being divided. Rather than situate Gregorio’s coming-of-age on either continent, the novel draws parallels between Colombia's violent history and the United States under Trump’s presidency. These parallels are written in impactful prose that feels weighted with grief. Early on, Gregorio laments “how easy it was to die in Colombia and how little one could do about it. On the other hand, how strange it was to live in a town where people’s biggest threats seemed to be themselves.” In spite of its constant sense of dread, of waiting for another bomb or gun to go off, the novel is surprisingly tender and warm. Through each of his injuries, Gregorio develops close relationships with his uncle Nico, who has cancer; Magdalena, his landlady, who dies shortly after the 2016 election, and others. Gregorio is haunted by the past, but the author shows that ghosts aren’t scary when a person is enmeshed in their community. Emboldened by the lessons of the past and present, Gregorio develops a more confident voice. Written in a series of short, vivid chapters, this is an accessible and smooth read; the first-person voice hardly changes tone and style, even in chapters narrated by characters other than Gregorio. Restrepo Montoya walks a fine line between scathing and maudlin and invites readers to listen in on the conversations that happen between families in times of conflict.
A captivating, complicated take on coming-of-age.Pub Date: July 11, 2023
ISBN: 9781953387332
Page Count: 170
Publisher: Two Dollar Radio
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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