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HIDDEN CITIES

THE DISCOVERY AND LOSS OF NORTH AMERICAN CIVILIZATIONS

Kennedy, director of the National Park Service, does better in exposing the prejudices of whites who came across the monuments of prehistoric America than in elucidating the mysteries embodied in these New World Stonehenges. An estimated 30 million Native Americans died of European or African diseases during the century following the conquistadors' appearance in the Western Hemisphere. They left behind significant traces of sophisticated cities, roads, and burial grounds in Memphis, Pittsburgh, Cincinnati, and elsewhere in the Ohio and Mississippi river valleys. Later explorers and soldiers beheld these relics—which included bits of antiquities, earthen mounds and various geometrical shapes carved into the landscape—with wonder, confusion, and obtuseness. Kennedy (Rediscovering America, 1990, etc.) perceptively analyzes how attempts to preserve and interpret Native American arts and architecture often foundered on the ingrained prejudices of even supposedly enlightened whites. (Thomas Jefferson, for example, was slow to shed his belief that Indians were incapable of architectural achievement.) Jeffersonians and Jacksonians found it easier to deprive Native Americans of land if they could deny that the Indians had a culture worth saving. They failed to follow the lead of such respectful figures as Jefferson's Treasury secretary, Albert Gallatin, described by Kennedy as 'the first American statesman to employ the evidence of ancient American architecture to justify exertions to redeem the Republic from racial prejudice.' The American mania for development, combined with dismissive scholarship that credited Indian achievements to fair-skinned 'Welshmen' who supposedly discovered North America in the Middle Ages, led to a cavalier attitude toward Native American artifacts. By 1948, 90% of the earthen Indian architecture noted in a Smithsonian report 100 years earlier had been lost. Best read as an exploration of colliding cultures rather than an examination of the riddles left behind by Native American builders.

Pub Date: Sept. 14, 1994

ISBN: 0-02-917307-8

Page Count: 350

Publisher: Free Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1994

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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