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HIDDEN CITIES

THE DISCOVERY AND LOSS OF NORTH AMERICAN CIVILIZATIONS

Kennedy, director of the National Park Service, does better in exposing the prejudices of whites who came across the monuments of prehistoric America than in elucidating the mysteries embodied in these New World Stonehenges. An estimated 30 million Native Americans died of European or African diseases during the century following the conquistadors' appearance in the Western Hemisphere. They left behind significant traces of sophisticated cities, roads, and burial grounds in Memphis, Pittsburgh, Cincinnati, and elsewhere in the Ohio and Mississippi river valleys. Later explorers and soldiers beheld these relics—which included bits of antiquities, earthen mounds and various geometrical shapes carved into the landscape—with wonder, confusion, and obtuseness. Kennedy (Rediscovering America, 1990, etc.) perceptively analyzes how attempts to preserve and interpret Native American arts and architecture often foundered on the ingrained prejudices of even supposedly enlightened whites. (Thomas Jefferson, for example, was slow to shed his belief that Indians were incapable of architectural achievement.) Jeffersonians and Jacksonians found it easier to deprive Native Americans of land if they could deny that the Indians had a culture worth saving. They failed to follow the lead of such respectful figures as Jefferson's Treasury secretary, Albert Gallatin, described by Kennedy as 'the first American statesman to employ the evidence of ancient American architecture to justify exertions to redeem the Republic from racial prejudice.' The American mania for development, combined with dismissive scholarship that credited Indian achievements to fair-skinned 'Welshmen' who supposedly discovered North America in the Middle Ages, led to a cavalier attitude toward Native American artifacts. By 1948, 90% of the earthen Indian architecture noted in a Smithsonian report 100 years earlier had been lost. Best read as an exploration of colliding cultures rather than an examination of the riddles left behind by Native American builders.

Pub Date: Sept. 14, 1994

ISBN: 0-02-917307-8

Page Count: 350

Publisher: Free Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1994

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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