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MEMORIES OF SUMMER

WHEN BASEBALL WAS AN ART AND WRITING ABOUT IT A GAME

Kahn, dean of American sportswriters, shares his memories of a time when baseball players and writers were not the servants of different corporate masters and the game itself was not a virtual hostage to corporate or political interests. Growing up in Brooklyn during the Depression, Kahn acquired his love for the game, and for the Brooklyn Dodgers, from his father, Gordon. Ever the runners-up, the Dodgers were nevertheless a part of the warp and woof of Brooklyn life. Beginning as a copyboy at the now defunct New York Herald Tribune, Kahn eventually caught on with that paper's fabled sports section—home to Red Smith's column—and landed a sports beat in time for the 1952 season. At that time the press seldom violated players' and managers' privacy, primarily because it would have seemed wrong to do so. (However, Giants manager Leo Durocher resorted in some cases to bribery to keep overzealous reporters ``honest.'') Kahn was a gifted witness to a golden period, and he captures here what the game was really like in the 1950s and '60s, recounting both the good times and bad. He reveals how alcohol and easy camaraderie made responsible reporting difficult but fun; how racism kept many worthy players off the field and many worthy columns off the sports pages; and he gives readers a fly-on-the-wall view of the birth and infancy of Sports Illustrated. His vivid tales of some of the remarkable but less familiar players remind us that, in baseball as in life, numbers seldom tell the whole story. As ever, Kahn is earthy, forceful, graceful, and seldom sentimental. Rather than take potshots at today's much altered game and players, he reminds us clearly of what baseball used to be, and allows us to come to our own conclusions. Simply put, this is a marvelous book. (photos) (Author tour)

Pub Date: April 4, 1997

ISBN: 0-7868-6190-8

Page Count: 352

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1997

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WHY WE SWIM

An absorbing, wide-ranging story of humans’ relationship with the water.

A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.

For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).

An absorbing, wide-ranging story of humans’ relationship with the water.

Pub Date: April 14, 2020

ISBN: 978-1-61620-786-1

Page Count: 288

Publisher: Algonquin

Review Posted Online: Jan. 4, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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SWIMMING STUDIES

While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.

A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.

Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”

While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.

Pub Date: July 5, 2012

ISBN: 978-0-399-15817-9

Page Count: 288

Publisher: Blue Rider Press

Review Posted Online: May 6, 2012

Kirkus Reviews Issue: May 15, 2012

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