A cerebral, ruminative essay collection brimming with insight and vision.
The acclaimed poet plunges into prose with dense literary and cultural criticism accented by personal reflection.
In his nonfiction debut, Reeves, the Whiting Award–winning author of the poetry collections King Me and Best Barbarian, rigorously analyzes works by Black cultural paragons, from Zora Neale Hurston and Toni Morrison to Outkast and Michael K. Williams. The author balances this commentary with his own experiences as a Black man in America, including his childhood in the Pentecostal Church and conversations with his young daughter following the killing of George Floyd. “I gropingly understood that her ability to see into people’s questions, to find the question below the question was not only a gift of discernment,” he writes, “but necessary in the struggle for Black folks’ freedom in the United States—seeing what was obscuring freedom and its articulation and getting underneath it, unshackling freedom from fear.” Each essay probes this concept of “underneath,” and each paragraph is packed both emotionally and intellectually, requiring close, conscientious reading to fully grasp the author’s examination of the abundance of irony and contradiction in Black experience. Reeves’ call to resist the salacious and decenter the self is stringent, and nothing is immune from his piercing pen—not even such heralded projects as Hamilton or The 1619 Project. Reeves acknowledges where his critiques may meet opposition, particularly in this “loquacious” age, but he insists on a more honest understanding of history, the complications and complicities on which protests are built, and the method by which tragedy and death become the property of the public imagination. The author’s lyrical prose reflects frenzy and desperation, imbuing a new literary canon with urgency and relevance that is both personal and political. For Reeves, “feeling for the future is a matter of art.” With this text, he inclines toward his ideal of the ecstatic, defiantly daring to build the sort of life—intellectual and free—so easily denied to Black Americans.
A cerebral, ruminative essay collection brimming with insight and vision.Pub Date: Aug. 1, 2023
ISBN: 9781644452417
Page Count: 232
Publisher: Graywolf
Review Posted Online: April 19, 2023
Kirkus Reviews Issue: May 15, 2023
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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