A nuanced physical and emotional landscape aimed to capture experienced readers but likely to snag the occasional neophyte...
An old man on an island and a young child in a city form a connection through messages in bottles and ships on paper in Brazilian Coelho's wordless, dreamlike spectacle.
An elderly white man wakes, alone but for a few avian companions, and discovers a blank piece of paper in a bottle washed up on the shore of his island home. After some consideration, he pencils on it an intricate drawing of a ship, returns the paper to the bottle, and tosses it back into the waves. Elsewhere, ensconced in an urban landscape, a dark-haired, pale-skinned child comes home to find an unmarked envelope on the doorstep—inside is the old man's drawing. From here, a journey commences—maybe in reality, maybe in a dream—bringing the two characters together in a brief, touching meeting. As with all wordless picture books, this narrative is a negotiation between illustrations and readers. Are these characters grandfather and grandchild crossing space? Future and past versions of the same person transcending time? Or perhaps simply a pair whose loneliness is eased by dreams born of isolation? With spreads defying the barrier of the gutter, varied visual perspectives, and expertly paced page turns, Coelho's methodical cacophony of highly detailed visual invention successfully (if narrowly) avoids miring the narrative momentum in its artistry.
A nuanced physical and emotional landscape aimed to capture experienced readers but likely to snag the occasional neophyte as well. (Picture book. 8 & up)Pub Date: Jan. 31, 2017
ISBN: 978-0-88448-528-5
Page Count: 80
Publisher: Tilbury House
Review Posted Online: Nov. 1, 2016
Kirkus Reviews Issue: Nov. 15, 2016
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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