An amiable-enough story weighed down by a few misguided illustrations.
A boy finds the perfect pet hiding under his bed—trouble is, his mother just won’t believe him.
During a trip to the zoo, Jimmy decides that a polar bear would be a perfect pet, but his mother brushes him off, saying, “Don’t be silly, Jimmy….They are big and wild, and they eat little boys like you.” To his delight, Jimmy discovers a miniature polar bear hiding under his bed that night. Jimmy will amuse readers with his mop of curly hair, goofy expressions and earnest attempts to convince his mother that his new pet is real. The bright cartoon illustrations are full of funny details, but they suffer from a few significant problems. Secondary characters suffer are grossly exaggerated in places. When they get angry, sister Lucy looks like a demented monster, with her florescent pink face, and Mum looks like a Bratz doll. Jimmy’s black friend Tumi occasionally looks like the worst kind of caricature. Narration and text are available in English, Spanish and Portuguese, with an unusual option that allows viewers to read and listen to two languages at the same time. Easy-to-use controls allow users to turn off narration, music and text from the home page. Animation keeps young readers engaged on each page without overwhelming the story.
An amiable-enough story weighed down by a few misguided illustrations. (Requires iOS 6 and above.) (iPad storybook app. 4-8)Pub Date: March 3, 2014
ISBN: N/A
Page Count: -
Publisher: Rogue Software
Review Posted Online: April 15, 2014
Kirkus Reviews Issue: May 1, 2014
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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SEEN & HEARD
SEEN & HEARD
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