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IN THE REALMS OF GOLD

PIONEERING IN AFRICAN HISTORY

The genial but almost overwhelmingly painstaking autobiography of a founding figure in the field of African history. In 1947 Oliver became the first lecturer in African history at the University of London's School of Oriental and African Studies, and so an originator of the academic study of precolonial Africa. Oliver's records of his professional life over five decades have apparently been superhumanly detailed. Thus, while the anecdotes of his first cross-continent research trips create sharp snapshots of African life, the relentless inclusion of minutiae later on (extensive lists of graduate students and their research topics, or the precise layouts of Oliver residences in England) makes it almost impossible to read every word. Those unfamiliar with precolonial African history will find their heads spinning, albeit pleasantly, from Oliver's breathless summaries of the far-flung historical and methodological issues he and his colleagues encountered. But these do give a feel for what the discipline of African history is like—its complexity, vastness, and peculiar historiographic problems. And Oliver's real story is just this—the making of a discipline. It is one of the happier ironies of colonialism that an Africa-centered history of that continent should have been made possible by resources, institutions, and idealism to be found among its foreign rulers. It's exciting to read of an entire field's creation by a small group of dedicated and unusually curious scholars, and its rapid growth, fed by the abundant and challenging evidence ignored by their dismissively Eurocentric colleagues. The contemporary history-making of decolonization is gracefully absorbed into the narrative, as it seems to have been into Oliver's own appreciation of the continent. While testing the general reader's patience at times, this should prove an exhaustive resource for intellectual historians and a fitting foundation myth for future Africanists to look back to. (36 b&w photos, 8 maps, not seen) (Author tour)

Pub Date: Oct. 1, 1997

ISBN: 0-299-15650-8

Page Count: 448

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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