by Romy Hausmann ; translated by Jamie Bulloch ‧ RELEASE DATE: Oct. 6, 2020
The plot is sufficiently creepy and twisty, but without well-developed characters, the reader's buy-in will be limited.
A father’s quest for his kidnapped daughter, gone 13 years, may finally have borne fruit.
Hausmann’s debut, translated from the German, revolves around a young woman who has been held captive in a windowless forest cabin on the border between Bavaria and the Czech Republic. As the story opens, she has escaped, one of her two children in tow, only to be hit by a car on the road just outside the woods. She’s in intensive care, unable to explain much of anything; her daughter, Hannah, though extremely intelligent, has developmental issues that make her unhelpful to investigators as well. Once it’s determined that the injured woman’s name is Lena, the police are able to connect her with a 13-year-old cold case involving the disappearance of a college student in Munich. The round-robin narration switches among Lena, Hannah, and Lena’s father, Matthias Beck. Matthias has been counting and cursing the days—4,825 of them—since his daughter went missing. Now, at last, he gets the call he’s been waiting for, and he and his wife accompany the police investigator, a close family friend, to the hospital—only to find out the woman in the bed is not their Lena. But wait—there’s a little girl in the hallway who is their daughter’s spitting image. Hausmann’s novel has been billed as Room meets Gone Girl for its combination of mother and kids locked up in a hidey-hole with dueling, often dissimulating, unreliable narrators. But both of those blockbuster antecedents are strongly character-driven. Here, possibly in the interest of withholding information, the author has failed to make the central characters seem like real people, and the supporting ones are barely outlined. For this reason, the reveals in the latter part of the book are less exciting than they should be.
The plot is sufficiently creepy and twisty, but without well-developed characters, the reader's buy-in will be limited.Pub Date: Oct. 6, 2020
ISBN: 978-1-25076-853-7
Page Count: 352
Publisher: Flatiron Books
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: July 1, 2020
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by Romy Hausmann ; translated by Jamie Bulloch
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BOOK TO SCREEN
by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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SEEN & HEARD
by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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