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LOVING ANDREW

A FIFTY-TWO-YEAR STORY OF DOWN SYNDROME

This cleareyed, intelligent memoir is an invaluable resource for anyone whose life is affected by a developmental disability.

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Wyllie (Bertram Goodhue, 2007, etc.) moves away from architectural histories to document the life of her son, Andrew, who persevered and thrived despite Down syndrome.

When the hospital staff delayed bringing Wyllie her firstborn child after his birth in 1959, she was immediately uneasy, and rightfully so: Andrew was diagnosed as a mongoloid, or what is now known as having Down syndrome. Troubled by the doctor’s explanation that “sometimes the best policy is to inform the mother, before she even sees her baby, that the child has died and then place him immediately in an institution,” she and her husband decide to keep their son at home and raise him as normally as possible. Wyllie details the early struggles with Andrew, from difficulties nursing to apprehension over what their family, friends and neighbors might think. She recounts their lengthy search for a school program to fit Andrew’s capabilities and their great fortune in finding Lambs Farm, a still-operating facility where Andrew lived happily for most of his adult life. Wyllie’s writing is lucid and remarkably forthright. She doesn’t shy away from the negatives, such as her frustrations and mistakes as the parent of a special needs child, or her concerns that her other, “normal” children were somehow being slighted. She also conveys the grief she faced in the tragic cancer death of her 14-month-old second child. The book features Andrew’s writing and drawings, letters from his teachers and co-workers, and interviews with many of the people in his life, which provide an intimate look at his intellectual, emotional and physical development. As a comparison, Wyllie also chronicles the experiences of two younger children, one born in 1980 and one in 1994, who also suffer from Down syndrome. Her account of the history and science behind the disorder is thoroughly researched yet highly readable, and she evenhandedly discusses the possible impacts of modern prenatal genetic testing. Of her ongoing struggle for better resources, Wyllie remembers that “the most difficult task was to capture the interest of the average person who does not have a special needs child.” Transcending this aim, her book is as richly absorbing for casual readers as for caregivers and loved ones of Down syndrome children and adults.

This cleareyed, intelligent memoir is an invaluable resource for anyone whose life is affected by a developmental disability.

Pub Date: Oct. 26, 2012

ISBN: 978-1478298342

Page Count: 306

Publisher: CreateSpace

Review Posted Online: Dec. 10, 2012

Kirkus Reviews Issue: Jan. 15, 2013

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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GRIEF IS FOR PEOPLE

A marvelously tender memoir on suicide and loss.

An essayist and novelist turns her attention to the heartache of a friend’s suicide.

Crosley’s memoir is not only a joy to read, but also a respectful and philosophical work about a colleague’s recent suicide. “All burglaries are alike, but every burglary is uninsured in its own way,” she begins, in reference to the thief who stole the jewelry from her New York apartment in 2019. Among the stolen items was her grandmother’s “green dome cocktail ring with tiers of tourmaline (think kryptonite, think dish soap).” She wrote those words two months after the burglary and “one month since the violent death of my dearest friend.” That friend was Russell Perreault, referred to only by his first name, her boss when she was a publicist at Vintage Books. Russell, who loved “cheap trinkets” from flea markets, had “the timeless charm of a movie star, the competitive edge of a Spartan,” and—one of many marvelous details—a “thatch of salt-and-pepper hair, seemingly scalped from the roof of an English country house.” Over the years, the two became more than boss and subordinate, teasing one another at work, sharing dinners, enjoying “idyllic scenes” at his Connecticut country home, “a modest farmhouse with peeling paint and fragile plumbing…the house that Windex forgot.” It was in the barn at that house that Russell took his own life. Despite the obvious difference in the severity of robbery and suicide, Crosley fashions a sharp narrative that finds commonality in the dislocation brought on by these events. The book is no hagiography—she notes harassment complaints against Russell for thoughtlessly tossed-off comments, plus critiques of the “deeply antiquated and often backward” publishing industry—but the result is a warm remembrance sure to resonate with anyone who has experienced loss.

A marvelously tender memoir on suicide and loss.

Pub Date: Feb. 27, 2024

ISBN: 9780374609849

Page Count: 208

Publisher: MCD/Farrar, Straus and Giroux

Review Posted Online: Sept. 19, 2023

Kirkus Reviews Issue: Nov. 1, 2023

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