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108 STITCHES

LOOSE THREADS, RIPPING YARNS, AND THE DARNDEST CHARACTERS FROM MY TIME IN THE GAME

A sometimes-scattershot but lively account for MLB fans.

A former Major League Baseball pitcher offers anecdotes and surprisingly candid gossip.

Unlike most MLB players, Darling (Game 7, 1986: Failure and Triumph in the Biggest Game of My Life, 2016, etc.) not only graduated from college; he attended an Ivy League university. At Yale, he began as a position player before becoming a pitcher, and then he worked his way through the minor leagues to star for the New York Mets from 1983 to 1991 (he later played for the Expos and the Athletics, retiring in 1995). He is now a broadcaster for the Mets along with former teammate and author Keith Hernandez. The loose organizing principle of his latest book is reminiscences of the players, managers, coaches, and team owners with whom Darling interacted during his years as a player. The majority of the anecdotes are positive. However, unlike many baseball memoirists, Darling portrays some of his colleagues in negative ways based on their observed behaviors both on and off the field. Lenny Dykstra receives especially harsh treatment. Dwight Gooden, the brilliant pitcher, receives both praise and searing criticism for squandering his talent in a haze of substance abuse (ditto Darryl Strawberry). Some lower-profile players receive multiple pages of adoration, such as veteran pitcher Al Jackson, who unselfishly served as Darling’s on-field mentor. “We weren’t friends—ours was very much a mentor-mentee type of relationship. I don’t think we ever went out for a beer after a game. But I enjoyed Al’s company immensely. He was all business, all the time, but there was a soft, sweet side to his personality.” The anecdotes come and go so quickly that the book is probably best read a few pages at a time. In later chapters, Darling reflects on becoming a broadcaster, which offers a different perspective on the game, and gives opinions about the current game.

A sometimes-scattershot but lively account for MLB fans.

Pub Date: April 2, 2019

ISBN: 978-1-250-18438-2

Page Count: 272

Publisher: St. Martin's

Review Posted Online: Dec. 15, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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THE 48 LAWS OF POWER

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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A TALE OF LOVE AND DARKNESS

A boon for admirers of Oz’s work and contemporary Israeli literature in general.

A moving, emotionally charged memoir of the renowned author’s youth in a newly created Israel.

“Almost everyone in Jerusalem in those days,” writes novelist Oz (The Same Sea, 2001, etc.) of the 1940s, “was either a poet or a writer or a researcher or a thinker or a scholar or a world reformer.” Oz’s uncle Joseph Klausner, for instance, kept a 25,000-volume library in every conceivable language, its dusty volumes providing a madeleine for the young writer, “the smell of a silent, secluded life devoted to scholarship,” even as his grandmother contemplated the dusty air of the Levant and concluded that the region was full of germs, whence “a thick cloud of disinfecting spirit, soaps, creams, sprays, baits, insecticides, and powder always hung in the air.” His own father had to sell his beloved books in order to buy food when money was short, though he often returned with more books. (“My mother forgave him, and so did I, because I hardly ever felt like eating anything except sweetcorn and icecream.”) Out in the street, Oz meets a young Palestinian woman who is determined to write great poems in French and English; cats bear such names as Schopenhauer and Chopin; the walls of the city ring with music and learned debate. But then there is the dark side: the war of 1948, with its Arab Legion snipers and stray shells, its heaps of dead new emigrants fresh from the Holocaust. “In Nehemiah Street,” writes Oz, “once there was a bookbinder who had a nervous breakdown, and he went out on his balcony and screamed, Jews, help, hurry, soon they’ll burn us all.” In this heady, dangerous atmosphere, torn by sectarian politics and the constant threat of terror, Oz comes of age, blossoming as a man of letters even as the bookish people of his youth begin to disappear one by one.

A boon for admirers of Oz’s work and contemporary Israeli literature in general.

Pub Date: Nov. 15, 2004

ISBN: 0-15-100878-7

Page Count: 544

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2004

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