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108 STITCHES

LOOSE THREADS, RIPPING YARNS, AND THE DARNDEST CHARACTERS FROM MY TIME IN THE GAME

A sometimes-scattershot but lively account for MLB fans.

A former Major League Baseball pitcher offers anecdotes and surprisingly candid gossip.

Unlike most MLB players, Darling (Game 7, 1986: Failure and Triumph in the Biggest Game of My Life, 2016, etc.) not only graduated from college; he attended an Ivy League university. At Yale, he began as a position player before becoming a pitcher, and then he worked his way through the minor leagues to star for the New York Mets from 1983 to 1991 (he later played for the Expos and the Athletics, retiring in 1995). He is now a broadcaster for the Mets along with former teammate and author Keith Hernandez. The loose organizing principle of his latest book is reminiscences of the players, managers, coaches, and team owners with whom Darling interacted during his years as a player. The majority of the anecdotes are positive. However, unlike many baseball memoirists, Darling portrays some of his colleagues in negative ways based on their observed behaviors both on and off the field. Lenny Dykstra receives especially harsh treatment. Dwight Gooden, the brilliant pitcher, receives both praise and searing criticism for squandering his talent in a haze of substance abuse (ditto Darryl Strawberry). Some lower-profile players receive multiple pages of adoration, such as veteran pitcher Al Jackson, who unselfishly served as Darling’s on-field mentor. “We weren’t friends—ours was very much a mentor-mentee type of relationship. I don’t think we ever went out for a beer after a game. But I enjoyed Al’s company immensely. He was all business, all the time, but there was a soft, sweet side to his personality.” The anecdotes come and go so quickly that the book is probably best read a few pages at a time. In later chapters, Darling reflects on becoming a broadcaster, which offers a different perspective on the game, and gives opinions about the current game.

A sometimes-scattershot but lively account for MLB fans.

Pub Date: April 2, 2019

ISBN: 978-1-250-18438-2

Page Count: 272

Publisher: St. Martin's

Review Posted Online: Dec. 15, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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