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THE FREEZE

A charming, if uneven, coming-of-age tale.

A 12-year-old girl experiences a season of change and hope during the winter of 1962 in this middle-grade novel.

Kate Dunn, the Irish-American daughter of a police officer, lives in a comfortable apartment in Manhattan’s Washington Heights with her parents, older brother Rory, and younger brother Danny and attends the local Catholic school. Her family expects that she will eventually become a nurse or a flight attendant, but the highly intelligent Kate refuses to accept limitations on her ambitions. She regularly wins awards at her school for academic excellence, and she received a full scholarship to the Sacred Heart of Mary Academy. When she’s not spending time with her best friend, Mary Garvey, she pores over a well-worn copy of Black’s Law Dictionary. As the Christmas season approaches, she looks forward to preparing for high school; however, the winter of 1962 ends up being anything but typical for Kate. The region endures unusually frigid weather, dubbed “The Freeze” by local residents. As she waits for the snow predicted by her eccentric neighbor Miss H. Wellington Grimes, her parents cope with problems of their own: Her father faces pressures in his new assignment in the narcotics squad while also dealing with guilt over his actions during World War II, and her mother is secretly saving money. As Christmas approaches, Kate learns a secret that threatens to alter her plans for the future. DeBoer’s debut is a sensitively crafted portrait of a young girl growing up at a pivotal time for women in America. Kate is a dynamic protagonist who has big plans for her future and refuses to let anyone tell her what she can achieve, and the tension between her ambitions and society’s expectations informs her relationships with her father, who tells her that “Girls become nurses,” and Mary, who plans to forgo college in favor of secretarial school. The Washington Heights setting is a significant part of the narrative, and the author brings it to life with vivid descriptions of the community and nuanced supporting characters. Most of the action takes place in Kate’s apartment building or in the streets of the surrounding neighborhood. The reader’s guide to life in the building is Flann McFarland, its superintendent, who regularly regales the children with fantastic stories of a kingdom in Ireland called “Shiloh.” Flann’s own tale of heartbreak is a poignant one. Another memorable resident is the aforementioned Miss Grimes, a woman who spent a colorful childhood in a traveling circus. That said, the novel would have benefited from sharper editing. At times, the prose is lyrical, particularly during a speech from Miss Grimes, in which she tells the protagonist, “Your life will at times, feel very much like a circus, Kate. The acts will come and go.” However, there are occasional misspellings of notable real-life people and places.

A charming, if uneven, coming-of-age tale.

Pub Date: Nov. 6, 2017

ISBN: 978-1-9737-7028-2

Page Count: 202

Publisher: CreateSpace

Review Posted Online: March 8, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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