After the heady success of Mariette in Ecstasy (1991), Hansen toys with mystery writing in a slick fiction that also continues his last novel's spiritual intrigue. Here, the author deliberately invokes Lazarus and the Prodigal Son in a story that otherwise relies on lots of Hollywood imagery. Atticus Cody, like the Atticus of Harper Lee, is a righteous man in his 60s, a good father who can express himself only indirectly. His younger son, Scott, over 40 and still wandering through life, is home for the holidays, and, as usual, father and son can't communicate. With his history of manic-depression and suicidal bouts, Scott is anathema to his stoic dad, a successful oilman. He also suffers from the guilt of having killed his mother in a car accident after college, and senses his father's blame. All this changes later, though, when Atticus is summoned to Mexico to retrieve Scott's dead body. Shortly after meeting his son's friend in the decadent, expat community on the Gulf Coast, Atticus senses that something's amiss, that Scott didn't commit suicide but was murdered. Atticus's careful detective work is the best way he knows of showing love for his son, and he pursues the mystery with a sense of belated forgiveness and reconciliation. The mystery is more or less resolved two thirds into the novel, when Scott's discovered hiding out among the homeless in a church basement. He then wraps up all the disparate details in a sad tale of accidental murders, blackmail, mistaken identity, and an adrenalin-fueled effort to elude justice. Hansen spares none of the supercilious expatriates and bleeds for the oppressed campesinos with their mystical attachments to the land, making for a fairly predictable subtext. There's a writerly neatness in Hansen's vocabulary of images and allusions, though some seem jammed into the narrative for the sake of it. One suspects—and suspects again, when Scott mentions having a ``movie moment''—that Hansen wrote this one with an eye to the screen, where Mariette is due soon. (Author tour)
Pub Date: Feb. 1, 1996
ISBN: 0-06-018217-2
Page Count: 224
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1995
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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