This powerful, sad, but ultimately beautiful story deserves to be back on the bookshelves of American readers with its...

READ REVIEW

THE DEATH OF BERNADETTE LEFTHAND

Gracie Lefthand is in mourning. Her beautiful, elegant sister, Bernadette, has been murdered, and Gracie and her father are left to raise Bernadette’s child—and tell her story—in this polyphonic Native American novel.

Told in the first person by both Gracie, a 16-year-old Apache/Pueblo girl, and Starr Stubbs, a bored white model-turned–rock star’s wife who hired Bernadette, a traditional dancer and well-educated young woman, as a housekeeper, and occasionally in a poetic third-person narrative voice, Bernadette’s story takes place in the New Mexico town of Dulce. The novel moves back and forth in time, never losing the thread that moves us closer and closer to Bernadette’s brutal murder. The novel is filled with poetic detail, and both Starr and especially Gracie punch forward with their strong, unique voices. They tell not only Bernadette’s tragic story, but her husband’s, who is Diné/Navajo—and that of the man so jealous of their relationship that he'd pursue dark witchcraft to destroy it. This book was originally published in 1993, and although Querry’s work precedes the current trend in Native letters that has writers speaking to their own, or neighboring, Native nations (Querry is a member of the Choctaw Nation of Oklahoma, and his characters are from various Southwestern Nations), Querry has lived for years in the Southwest. His characters are complex and achingly human. He depicts traditional Diné ceremonies, and though this is also a departure, what he does depict is respectful and adds much to the richness of the story. It is often taboo for Diné to write or speak of certain traditions, and it’s awkward when someone white does. But for Querry, he is both outsider and insider.

This powerful, sad, but ultimately beautiful story deserves to be back on the bookshelves of American readers with its innovative, organic use of Indigenous prose form and strong, lovely personalities.

Pub Date: Oct. 1, 2018

ISBN: 978-1947627-08-6

Page Count: 232

Publisher: Cinco Puntos Press

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

Did you like this book?

No Comments Yet

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

Did you like this book?

No Comments Yet

A strongly felt, if not terribly gripping, sendoff for a Turow favorite nearly 35 years after his appearance in Presumed...

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

THE LAST TRIAL

Trying his final case at 85, celebrated criminal defense lawyer Sandy Stern defends a Nobel-winning doctor and longtime friend whose cancer wonder drug saved Stern's life but subsequently led to the deaths of others.

Federal prosecutors are charging the eminent doctor, Kiril Pafko, with murder, fraud, and insider trading. An Argentine émigré like Stern, Pafko is no angel. His counselor is certain he sold stock in the company that produced the drug, g-Livia, before users' deaths were reported. The 78-year-old Nobelist is a serial adulterer whose former and current lovers have strong ties to the case. Working for one final time alongside his daughter and proficient legal partner, Marta, who has announced she will close the firm and retire along with her father following the case, Stern must deal not only with "senior moments" before Chief Judge Sonya "Sonny" Klonsky, but also his physical frailty. While taking a deep dive into the ups and downs of a complicated big-time trial, Turow (Testimony, 2017, etc.) crafts a love letter to his profession through his elegiac appreciation of Stern, who has appeared in all his Kindle County novels. The grandly mannered attorney (his favorite response is "Just so") has dedicated himself to the law at great personal cost. But had he not spent so much of his life inside courtrooms, "He never would have known himself." With its bland prosecutors, frequent focus on technical details like "double-blind clinical trials," and lack of real surprises, the novel likely will disappoint some fans of legal thrillers. But this smoothly efficient book gains timely depth through its discussion of thorny moral issues raised by a drug that can extend a cancer sufferer's life expectancy at the risk of suddenly ending it.

A strongly felt, if not terribly gripping, sendoff for a Turow favorite nearly 35 years after his appearance in Presumed Innocent.

Pub Date: May 12, 2020

ISBN: 978-1-5387-4813-8

Page Count: 448

Publisher: Grand Central Publishing

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

Did you like this book?

more