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IN THE VALLEY

A brace of strong stories, and the novella's a fine, suspenseful contribution to the thriving genre of Appalachian mayhem.

Rash's latest is a collection of 10 stories anchored by a novella featuring the ruthless Serena Pemberton of his best-known novel, Serena (2008), as she returns to the U.S. and resumes her reign of terror. Though Serena has received the lion's share of attention, the short story has always been Rash's best genre. Several pieces collected here—mostly set in western North Carolina from the Civil War to the present—center on revenge that wants to see itself as righteous. Rash is expert at revealing the sword of vengeance's double edge—how honed it is, how it cuts whomever wields it. In the excellent "Flight," for example, Stacy, a wounded, justice-minded young park ranger, determines that she'll have the better of a local who keeps tauntingly poaching trout. Another standout is "The Belt," about an octogenarian Civil War veteran and his talisman, the lucky brass buckle that saved him in battle. His family has struggled mightily—that buckle's luck has never seemed transferable—but old Jubal hopes the luck might extend, in one last moment of crisis, to his namesake grandson, a toddler. Perhaps best of all is "L'homme Blessé," about a recently widowed art teacher summoned to a deep-country cabin where an old man, psychologically wrecked after World War II, lived out his days sheltered by his own art—a near-perfect re-creation of the drawings inside a French cave the shattered soldier had visited. But the title novella makes for the centerpiece. Unrepentant lumber queen Serena has returned home, where she needs to accomplish the impossible: clear-cut a last mountaintop forest in just days. To do so—with the help of her conscienceless enforcer, Galloway, and his terrifying, spooky mother—she must bribe, cajole, intimidate, murder, perhaps even bend the rules of time, but there's little Serena can't do. Sure, now and again Rash tries to channel Cormac McCarthy and fails; a couple stories seem slight; and so on. But those are quibbles, not disfiguring flaws. A brace of strong stories, and the novella's a fine, suspenseful contribution to the thriving genre of Appalachian mayhem.

Pub Date: Aug. 4, 2020

ISBN: 978-0-385-54429-0

Page Count: 240

Publisher: Doubleday

Review Posted Online: May 17, 2020

Kirkus Reviews Issue: June 1, 2020

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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