Next book

IN THE VALLEY

A brace of strong stories, and the novella's a fine, suspenseful contribution to the thriving genre of Appalachian mayhem.

Rash's latest is a collection of 10 stories anchored by a novella featuring the ruthless Serena Pemberton of his best-known novel, Serena (2008), as she returns to the U.S. and resumes her reign of terror. Though Serena has received the lion's share of attention, the short story has always been Rash's best genre. Several pieces collected here—mostly set in western North Carolina from the Civil War to the present—center on revenge that wants to see itself as righteous. Rash is expert at revealing the sword of vengeance's double edge—how honed it is, how it cuts whomever wields it. In the excellent "Flight," for example, Stacy, a wounded, justice-minded young park ranger, determines that she'll have the better of a local who keeps tauntingly poaching trout. Another standout is "The Belt," about an octogenarian Civil War veteran and his talisman, the lucky brass buckle that saved him in battle. His family has struggled mightily—that buckle's luck has never seemed transferable—but old Jubal hopes the luck might extend, in one last moment of crisis, to his namesake grandson, a toddler. Perhaps best of all is "L'homme Blessé," about a recently widowed art teacher summoned to a deep-country cabin where an old man, psychologically wrecked after World War II, lived out his days sheltered by his own art—a near-perfect re-creation of the drawings inside a French cave the shattered soldier had visited. But the title novella makes for the centerpiece. Unrepentant lumber queen Serena has returned home, where she needs to accomplish the impossible: clear-cut a last mountaintop forest in just days. To do so—with the help of her conscienceless enforcer, Galloway, and his terrifying, spooky mother—she must bribe, cajole, intimidate, murder, perhaps even bend the rules of time, but there's little Serena can't do. Sure, now and again Rash tries to channel Cormac McCarthy and fails; a couple stories seem slight; and so on. But those are quibbles, not disfiguring flaws. A brace of strong stories, and the novella's a fine, suspenseful contribution to the thriving genre of Appalachian mayhem.

Pub Date: Aug. 4, 2020

ISBN: 978-0-385-54429-0

Page Count: 240

Publisher: Doubleday

Review Posted Online: May 17, 2020

Kirkus Reviews Issue: June 1, 2020

Awards & Accolades

Likes

  • Readers Vote
  • 379


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CORRESPONDENT

An affecting portrait of a prickly woman.

Awards & Accolades

Likes

  • Readers Vote
  • 379


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

Next book

THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

Close Quickview