The novel hits its share of false or clumsy notes, but it's not ruined by them thanks to Rash's sure evocation of the time...
The latest from prolific poet and fiction writer Rash, a 2009 PEN/Faulkner Award finalist for Serena, provides a damaged man's look back at a long-ago and haunted past.
It's 1969. Eugene and his older brother, Bill, who live with their mother and their tyrannical town-doctor grandfather in a small town in western North Carolina, are spending a summer afternoon at their remote fishing hole when they encounter a sylphlike young woman—a "mermaid," she says—who introduces herself as Ligeia. She's from Florida and has been banished to this backwater after a misadventure in a commune, to live with a preacher uncle and his family. She is a miracle of exoticism, an in-this-place unprecedented representative of hippiedom, and the boys immediately sign up for training in free love. The more ambitious and dutiful brother, Bill, already well on his way to the medical career his grandfather has ordained for him, quickly pulls back, but his more impulsive younger brother, smitten, falls into an extended summer romance with Ligeia (to whom he supplies stolen sample packs of the downers she prefers) and embarks in earnest on what will be a more enduring relationship with drink. Flash-forward 46 years: Bill has fulfilled his destiny and become a celebrated surgeon, while Eugene, who once dabbled promisingly with writing, has given it up and devoted himself full-time to alcohol and self-loathing. He lives in exile from his family, having scarred and nearly killed his daughter in a booze-caused crash, and he and Bill are only rarely and tensely in touch. But when a skeleton is found, spilled into the creek after decades shrouded in a blue tarp, the two brothers are forced to wrangle again with each other and with the events of that fateful summer.
The novel hits its share of false or clumsy notes, but it's not ruined by them thanks to Rash's sure evocation of the time and place and the complexity and poignancy of his portrait of his protagonist.Pub Date: Sept. 6, 2016
ISBN: 978-0-062-43631-3
Page Count: 272
Publisher: Ecco/HarperCollins
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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