A master journalistic storyteller tells his family’s own story.
A deeply felt, movingly written account of raising an autistic son.
As a best-selling author and Pulitzer Prize–winning journalist, Suskind has earned his renown with deeply reported, big-picture stories of domestic policies (Confidence Men, 2011) and international affairs (The Way of the World, 2008). His latest is more tightly focused and intimate in tone, as it deals with two decades of struggles and triumphs of a family trying to do whatever is best for their younger son, Owen, who has somehow been able to make emotional connections through Disney movies that so many with autism never can. The investigative reporter in Suskind might be a little suspicious of a book that depends so heavily on Disney products, and includes visits with its actors and animators and is published through a Disney imprint, even as he insists that Disney “agreed to exert no influence whatsoever over the content of this book.” It details the experience of having a seemingly normal toddler who “vanished” into what was subsequently diagnosed as autism. Early on, they figure, “[i]t’s just a matter of reaching him, of figuring out what caused this storm to envelop him, so we can clear away the clouds and let the light back in.” Nothing was that simple, of course, as frustration at the inadequacies of educational options and conflicting therapeutic strategies, at expenses that run toward $100,000 per year, set in. Disney proved to be the way in, as Owen deeply identified with the sidekicks and misfits of the videos he watched repeatedly, memorized whole scripts and began drawing; he now wants to become an animator. Owen’s obsession has aided his emotional and intellectual development, as he made friends, graduated from high school and enjoyed his first kiss as much as the next romantic teenager. The Disney effect may be distinctive to this experience, but the family dynamic should resonate with a much wider readership.
A master journalistic storyteller tells his family’s own story.Pub Date: April 1, 2014
ISBN: 978-1-4231-8036-4
Page Count: 368
Publisher: Kingswell/Disney Book Group
Review Posted Online: March 25, 2014
Kirkus Reviews Issue: April 15, 2014
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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