A literary beach read that will keep you thinking after the vacation’s over.
A chain of islands in the middle of the Pacific provides the backdrop for Tanner’s (From Animal House to Our House: A Love Story, 2012, etc.) comic exploration of expatriate life and its consequences.
In the 1950s, the U.S. used the Marshall Islands as a test site for nuclear bombs. Fifty years later, the Americans in Tanner’s breezy tale are more self-destructive than anything, though their imprint on the island nation is hardly a net positive. For better or worse, they stick mostly to American-dominated Kwajalein, which “looks like a 1950s cinderblock beach town gone to seed” and houses the U.S. personnel who study missile defense at the nearby Ronald Reagan Test Site. Among the employees there is Cooper, who sails all the way from California for his new job but manages to lose a leg in the process. Alison, the art teacher at the Kwajalein high school, isn’t much better off: she’s coping with her husband’s recent drowning, mostly by drinking her way through lunch. Then there’s Art, a bedraggled former Peace Corps volunteer who married a native and now serves as “Cultural Liaison” to the expat community, explaining Marshallese customs while lobbing rhetorical grenades at American culture from afar. Meanwhile, the only Marshallese protagonist, Jeton, pines for his American girlfriend, Nora, who's preparing to return to the U.S. for college. Marshallese are banned from Kwajalein after nightfall, and Jeton’s attempt to see Nora before she goes proves a crucial turning point in the plot. The themes here are major—global warming, imperialism, America’s role in the world (the story is set soon after the Abu Ghraib prison scandal). But Tanner displays a light touch, favoring snappy dialogue over didacticism. The result is winning, though for some the novel may feel just a touch too lighthearted: at various points characters confront everything from alcoholism to catastrophic weather to sharks, but one gets the sense early on that, for the four major players, all will (mostly) work out in the end.
A literary beach read that will keep you thinking after the vacation’s over.Pub Date: March 15, 2016
ISBN: 978-1-63246-009-7
Page Count: 372
Publisher: Ig Publishing
Review Posted Online: Jan. 20, 2016
Kirkus Reviews Issue: Feb. 1, 2016
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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