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MOMMY, CAN YOU STOP THE RAIN?

This calming, credible approach to diverting children from the anxiety of volatile storms is a winner.

Distraction, reassurance, and lots of love from attentive parents help a young child feel comfortable and safe during a thunderstorm.

Patient parents answer each simple, innocent question the child poses honestly and with a plausible response for creating a consoling solution. Though Mommy “cannot stop the rain,” eating sprinkled cookies while wrapped in a warm, dry towel should make the child feel better. Though Daddy cannot “shush the thunder,” marching around the table drumming a soup pot with a spoon should mask the scary noise. And while they cannot “turn off the lightning,” “quiet the wind,” or “send away the storm,” they can all be close and stay cozy and warm until the sun shines again. Illustrations washed with purple and lavender depict a dark, gloomy, stormy day and include details that indicate this white family is Jewish. There is a tzedakah box on the table to collect money for charity, Hebrew alphabet letters on the refrigerator and on the building blocks, and a Shabbat candle scene in a child’s drawing on the wall. The text also uses the Yiddish “Zayde” and “Bubbe” when referencing grandparents. Beyond the visually Judaic atmosphere, the realistic strategies demonstrated can be applied to every young family dealing with a frightened child during a loud, turbulent weather episode.

This calming, credible approach to diverting children from the anxiety of volatile storms is a winner. (Picture book. 3-6)

Pub Date: April 1, 2020

ISBN: 978-1-68115-555-5

Page Count: 32

Publisher: Apples & Honey Press

Review Posted Online: Jan. 11, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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THE GRUFFALO

The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)

Pub Date: June 1, 1999

ISBN: 0-8037-2386-5

Page Count: 32

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1999

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