by Ronald Hayman ‧ RELEASE DATE: April 1, 2001
Likely to become the standard biography of the revolutionary psychoanalyst. (16 pp. photos, not seen)
A polished, highly professional biography of Jung that covers all the personal and intellectual bases, as well as demystifying his more rarified theories, from Hayman (Thomas Mann, 1995, etc.).
Although this is very much a linear biography, the author works the neat trick of bringing the older Jung to bear as self-analyst on his youthful self. Working from both Jung’s bulky correspondence and his scholarly writings (particularly Memories, Dreams, and Reflections), Hayman works up through Jung’s difficult childhood years, his important association with Freud, and onward to his independent work on myth and the collective unconscious. Jung’s intellectual substance is ably conveyed and given new context, with his letters (many of them here published for the first time) used by the author to help reveal the genesis of Jung’s ideas. Certainly, Jung’s work on symbols and myth, the stories at the root of our consciousness, primordial images and archetypes, synchronicity, and the role of amplification in interpretation make fascinating reading, but what feels so vital here is the delineation of Jung’s milieu at home and abroad. There he is in Munich, squabbling over psychoanalytic bragging rights with the Viennese School as the National Socialists rise to power; there are his lovers, who somehow never compromised the rock of his domestic life; and there is his voracious appetite for theological discussion. It is a very well-choreographed piece, as Hayman sets the stage, dives into the fray (where colossal personalities were vying over the human psyche), then surfaces again to remind readers that Jung was a fellow with his own set of foibles, missteps, and crazy notions (check out some of Jung’s sentiments on Judaism).
Likely to become the standard biography of the revolutionary psychoanalyst. (16 pp. photos, not seen)Pub Date: April 1, 2001
ISBN: 0-393-01967-5
Page Count: 544
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2001
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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