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ARTIFACTS AND OTHER STORIES

These tales offer unquestionably sharp writing, but they repeatedly go over similar ground.

A collection of short stories explores marriage, fidelity, restlessness, and desire.

Each of this volume’s 14 tales features female protagonists, many of whom are in their 60s. The opening story, “Framing the Picture,” is a meditation on life and death, focusing on a woman whose husband goes through emotional changes when his mother falls ill. The couple decide to take her and her companion into their home, which leads to a stark reevaluation of their own relationship. The following tale, “Hurricane,” introduces Alice, a social worker and writer, and Douglas, a university history professor, a married couple whose lives begin to take divergent paths. When Alice’s affair with an aspiring healer fails to provide the comfort in life she is missing, she considers a drastic exit strategy. In “Sleuth,” Helen begins a relationship with a married man and, despite being in love with him, tries online dating in her quest for companionship in New York City. Meanwhile, in “Artifacts,” a 67-year-old woman also joins a dating website and attempts to navigate the “labyrinth” of possible relationships. Wineberg creates psychologically realistic characters by delivering concise, revealing glimpses into their psyches: Helen “felt adrift, constructing a new life, facing the visceral realization that there was more time behind her than ahead.” The author is keenly observant, and the collection is punctuated with many fine descriptive passages: “An old, bent woman with gray hair, who hobbles with a cane and wears a long brown raincoat and black orthopedic shoes, clumsy as boats.” But despite being well crafted, the stories prove thematically repetitive. “Framing the Picture” and “We Worry About the Wrong Things” deal with parental illness and “Sleuth” and “Artifacts,” with online dating. This allows Wineberg to approach such subjects from a variety of angles, but the tales often read like scant reworkings of the same plot. Even with regard to description, in which the author often excels, character sketches can also prove repetitive, with a reliance on adjectives like bulky. The collection lacks the necessary variation to maintain readers’ attention. Wineberg is a skilled writer, and this book may well appeal to women facing similar challenges, but in terms of scope, it misses the mark.

These tales offer unquestionably sharp writing, but they repeatedly go over similar ground.  

Pub Date: N/A

ISBN: 978-1-947175-56-3

Page Count: 240

Publisher: Serving House Books

Review Posted Online: Dec. 22, 2022

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TWICE

Have tissues ready as you read this. A small package will do.

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A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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REMINDERS OF HIM

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

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After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.

Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

Pub Date: Jan. 18, 2022

ISBN: 978-1-5420-2560-7

Page Count: 335

Publisher: Montlake Romance

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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