These tales offer unquestionably sharp writing, but they repeatedly go over similar ground.
A collection of short stories explores marriage, fidelity, restlessness, and desire.
Each of this volume’s 14 tales features female protagonists, many of whom are in their 60s. The opening story, “Framing the Picture,” is a meditation on life and death, focusing on a woman whose husband goes through emotional changes when his mother falls ill. The couple decide to take her and her companion into their home, which leads to a stark reevaluation of their own relationship. The following tale, “Hurricane,” introduces Alice, a social worker and writer, and Douglas, a university history professor, a married couple whose lives begin to take divergent paths. When Alice’s affair with an aspiring healer fails to provide the comfort in life she is missing, she considers a drastic exit strategy. In “Sleuth,” Helen begins a relationship with a married man and, despite being in love with him, tries online dating in her quest for companionship in New York City. Meanwhile, in “Artifacts,” a 67-year-old woman also joins a dating website and attempts to navigate the “labyrinth” of possible relationships. Wineberg creates psychologically realistic characters by delivering concise, revealing glimpses into their psyches: Helen “felt adrift, constructing a new life, facing the visceral realization that there was more time behind her than ahead.” The author is keenly observant, and the collection is punctuated with many fine descriptive passages: “An old, bent woman with gray hair, who hobbles with a cane and wears a long brown raincoat and black orthopedic shoes, clumsy as boats.” But despite being well crafted, the stories prove thematically repetitive. “Framing the Picture” and “We Worry About the Wrong Things” deal with parental illness and “Sleuth” and “Artifacts,” with online dating. This allows Wineberg to approach such subjects from a variety of angles, but the tales often read like scant reworkings of the same plot. Even with regard to description, in which the author often excels, character sketches can also prove repetitive, with a reliance on adjectives like bulky. The collection lacks the necessary variation to maintain readers’ attention. Wineberg is a skilled writer, and this book may well appeal to women facing similar challenges, but in terms of scope, it misses the mark.
These tales offer unquestionably sharp writing, but they repeatedly go over similar ground.Pub Date: N/A
ISBN: 978-1-947175-56-3
Page Count: 240
Publisher: Serving House Books
Review Posted Online: Dec. 22, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.
A dark fantasy set on the Yale campus ends with a bang.
Galaxy “Alex” Stern of Lethe House, one of Yale’s storied secret societies, has been to hell and back. That was in Hell Bent (2023), the middle book in Bardugo’s Ninth House trilogy, where the secret societies wield not just temporal power but magic as well. Hell Bent ended with Alex and her friends rescuing her crush, mentor, and fellow Lethe officer, Daniel “Darlington” Arlington V, from eternal torment. One small wrinkle: The demon Golgarot used Alex’s blood to wedge a door open between Hell and New Haven, and his minions are slipping through. Also, one of the group has turned into a vampire, and Darlington is now half demon. “He’d given up some part of himself to preserve the rest of his human soul. He’d become both prisoner and warden.” As the final book opens, the exhausted crew are hunting yet another monster. They can’t keep this up forever; they will have to find a way to close the portal. Alex has the energetic, driven melancholy of the hard-boiled, dark fantasy heroine she is. She believes “magic is real, but safe is make-believe,” as her roommate puts it. An open hellmouth, a supportive scholar, a vampire whose story arcs precariously toward redemption, a gentleman fiend who gets literally horny when aroused, a California girl with rare supernatural powers who cracks wise as she fights fiends—the series has a lot in common with Buffy the Vampire Slayer and its spawn, but Bardugo’s way with words and her keen social observation keep the book from feeling derivative. A demon’s classic New England house is decorated with “ruthlessly inoffensive watercolor seascapes”; Lethe’s board president “wore the new uniform of Wall Street: a dress shirt, khakis, and a fleece with a Yale Y embroidered over the heart, as if he were on his way to a hostile takeover followed by some light rock climbing.” Will Alex and her friends get the door shut without losing Darlington? Bardugo injects her protagonist with such a convincing mix of cynicism and hope that failure seems like a distinct possibility.
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.Pub Date: Sept. 15, 2026
ISBN: 9781250884312
Page Count: 496
Publisher: Flatiron Books
Review Posted Online: Sept. 15, 2026
Kirkus Reviews Issue: Nov. 1, 2026
The queen of social activist novels has done it again. Impressive, important, and fun to read.
The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.
“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in September, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fifteen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.
The queen of social activist novels has done it again. Impressive, important, and fun to read.Pub Date: Sept. 15, 2026
ISBN: 9780593726259
Page Count: 464
Publisher: Ballantine
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
SEEN & HEARD
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