Dull spots, downbeat characters and a sense of drift weigh down a none-too-serious mixture of romance and philosophy.
Light but with melancholy touches, an oddly balanced story of three generations of a mixed-race British family striving for love and self-fulfillment.
Pakistani-born, Europe-based Farooki follows up her debut (Bitter Sweets, 2007) with another romantic/domestic saga marked by multicultural twists. Teenager Luhith “Lucky” Khalil is emerging into adolescence and his twin passions for soccer and Star Wars are giving ground to a more tangible obsession: Portia, the newspaper delivery girl employed by his roguish, corner-shop–owning grandfather Zaki. Lucky’s mother, French-born Delphine, was a successful businesswoman when she met widowed Zaki, years earlier, and she had an affair with him. But Zaki, with his shopkeeping and taste for gambling, wasn’t her idea of husband material. Instead she married Zaki’s far more traditional lawyer son Jinan. Farooki’s sometimes chick-lit-ish story revolves around Delphine’s dissatisfactions, Lucky’s progress and the tension between not getting what you want versus getting it. When Portia discovers that Delphine and Zaki have reignited their affair, Zaki disappears, Delphine wallows for a bit, then decides to accept her lot. Lucky’s footballing career reaches impossible heights when he is 18, leaving him with nowhere to go afterward. Zaki, meanwhile, starts a new life in France.
Dull spots, downbeat characters and a sense of drift weigh down a none-too-serious mixture of romance and philosophy.Pub Date: Feb. 3, 2009
ISBN: 978-0-312-37556-0
Page Count: 368
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2008
BOOK REVIEW
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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