by Ros Barber ‧ RELEASE DATE: April 12, 2016
Barber's sensational premise delivers an unexpectedly piercing exploration of loss and different kinds of faith.
In a novel that examines the divide between skepticism and religion, Barber (The Marlowe Papers, 2012, etc.) uses the sweeping ideas of faith and science to delve into the story of a man struggling with the ever incomprehensible force of grief.
Finlay Logan is a criminal psychologist in a near-future England where popular opinion and government action are pushing to classify religious fundamentalism as a mental illness. While investigating the medically defined sanity of April Smith, a teenager who committed a shocking atrocity inspired by her religious beliefs, Logan finds himself grappling with his own tenuous grip on mental health. Nearly destroyed by grief after the accidental death of his adored daughter, Logan seeks perverse solace in an excess of work and a growing gulf of misunderstanding between him and his wife. Despite his efforts, he struggles to connect with April enough to assess her sanity and turns to the alluring Gabrielle Salmon, a cognitive scientist who studies consciousness, induces spiritual experiences with lab equipment, and claims to have been in contact with the dead. Logan’s professional interest in belief becomes an intensely personal choice between pharmaceutical and religious salvation. The novel splits into alternate storylines based on his decision, playing with motifs borrowed from quantum mechanics. It survives this brutal division, bolstered by Logan’s fascinatingly miserable character, so finely drawn in competing urges. He is manipulative, unfaithful, dubious, and yet often motivated by the irreproachable urge of love. Though Barber sometimes veers into absurdly extended metaphors, that excess occasionally uncovers extraordinarily beautiful and piercing images that solidify a story of the ineffable. “Her eyes open painfully wide, and in a blink, two teary blinks, are emptied of love and stuffed to their lids with shock.”
Barber's sensational premise delivers an unexpectedly piercing exploration of loss and different kinds of faith.Pub Date: April 12, 2016
ISBN: 978-1-78074-921-1
Page Count: 288
Publisher: Oneworld Publications
Review Posted Online: Jan. 20, 2016
Kirkus Reviews Issue: Feb. 1, 2016
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by Sally Rooney ‧ RELEASE DATE: April 16, 2019
Absolutely enthralling. Read it.
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A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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BOOK TO SCREEN
by Toni Morrison ‧ RELEASE DATE: Oct. 29, 1970
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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