Published in Canada in slightly different form in 1994, this absorbing story of a resourceful and courageous woman learning to live with breast cancer received the Canadian Authors Association Literary Award. A paramedic trained to take control in critical situations, an ocean kayaker accustomed to pushing herself to the limits, and a poet with a gift for self-expression, MacPhee seems better equipped than most women both to face her frightening ordeal and to share the experience with others. What happened to her is unfortunately all too common today, but her account of it is uncommonly good. In 1991 she discovered a lump in her right breast; a biopsy showed the lump to be malignant. A few months later, while still recovering from a mastectomy, she discovered a lump in her left breast, and a lumpectomy was performed. MacPhee writes honestly and powerfully about the impact of cancer on herself, her family—she and her husband have two teenage daughters—and her community of women friends. Friends play an important role in MacPhee's life, and the withdrawal of one of her closest ones during this time is especially difficult for her to accept. Her attitude toward her prosthesis, her ``boob,'' as she derisively calls it, and her eventual discarding of it reveal much about the importance of self-image and the difficulties of coming to terms with a drastically altered body. Indeed, the present work's title expresses the kinship MacPhee feels with one of Picasso's Cubist paintings of a woman with rearranged body parts. An afterword by Kathy LaTour, a breast cancer activist and survivor, reveals that MacPhee has had a recurrence of cancer and is working on a follow-up book, tentatively titled ``Any Day Above Ground Is a Good One.'' Any book from MacPhee promises equally to be a good one.
Pub Date: May 1, 1996
ISBN: 1-56836-138-6
Page Count: 288
Publisher: Kodansha
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1996
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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