Next book

MASTERMINDS AND WINGMEN

HELPING OUR BOYS COPE WITH SCHOOLYARD POWER, LOCKER-ROOM TESTS, GIRLFRIENDS, AND THE NEW RULES OF BOY WORLD

A wealth of sensible information for parents of boys.

A how-to guide on raising boys.

"Boys don't demand our attention the way girls do," writes Wiseman (Queen Bees and Wannabes: Helping Your Daughter Survive Cliques, Gossip, Boyfriends, and the New Realities of Girl World, 2009, etc.), but that does not mean they don't need guidance just as much as girls. In fact, she writes, "[b]oys profoundly want strong, comforting, honorable adults who admit how messy life is." Using scientific research and information gained directly from more than 150 boys, Wiseman examines the complex world of young men as they navigate school, the playground, locker room, playing fields and social arenas of modern life. Based on the concept that there are unwritten rules about how to "Act-Like-A-Man," which affect every male child, Wiseman unravels how these conventions stop boys from expressing their emotions and asking for help. The author breaks typical boy behavior into a variety of groups, from the Mastermind to the Punching Bag, and helps parents figure out where their son fits. From there, she gives straightforward advice on how to converse with a boy so that a parent receives actual information, not sullen stares and rolling eyes. From lying to sneaking out of the house to proper manners to use of the computer, Wiseman's sound and steady assistance provides a calm response to every twist and turn on the multifaceted road of parenthood. Especially important are the insights she presents on what to do when a boy discovers the roller coaster of emotions and desires involved in sexual situations, such as sexting, foreplay and sexual abuse.

A wealth of sensible information for parents of boys.

Pub Date: Sept. 10, 2013

ISBN: 978-0-307-98665-8

Page Count: 416

Publisher: Harmony

Review Posted Online: July 29, 2013

Kirkus Reviews Issue: Aug. 15, 2013

Next book

INSIDE AMERICAN EDUCATION

THE DECLINE, THE DECEPTION, THE DOGMAS

American schools at every level, from kindergarten to postgraduate programs, have substituted ideological indoctrination for education, charges conservative think-tanker Sowell (Senior Fellow/Hoover Institution; Preferential Polices, 1990, etc.) in this aggressive attack on the contemporary educational establishment. Sowell's quarrel with "values clarification" programs (like sex education, death-sensitizing, and antiwar "brainwashing") isn't that he disagrees with their positions but, rather, that they divert time and resources from the kind of training in intellectual analysis that makes students capable of reasoning for themselves. Contending that the values clarification programs inspired by his archvillain, psychotherapist Carl Rogers, actually inculcate values confusion, Sowell argues that the universal demand for relevance and sensitivity to the whole student has led public schools to abdicate their responsibility to such educational ideals as experience and maturity. On the subject of higher education, Sowell moves to more familiar ground, ascribing the declining quality of classroom instruction to the insatiable appetite of tangentially related research budgets and bloated athletic programs (to which an entire chapter, largely irrelevant to the book's broader argument, is devoted). The evidence offered for these propositions isn't likely to change many minds, since it's so inveterately anecdotal (for example, a call for more stringent curriculum requirements is bolstered by the news that Brooke Shields graduated from Princeton without taking any courses in economics, math, biology, chemistry, history, sociology, or government) and injudiciously applied (Sowell's dismissal of student evaluations as responsible data in judging a professor's classroom performance immediately follows his use of comments from student evaluations to document the general inadequacy of college teaching). All in all, the details of Sowell's indictment—that not only can't Johnny think, but "Johnny doesn't know what thinking is"—are more entertaining than persuasive or new.

Pub Date: Jan. 4, 1993

ISBN: 0-02-930330-3

Page Count: 400

Publisher: Free Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1992

Categories:
Next book

THE ESCAPE ARTIST

A vivid sequel that strains credulity.

Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.

At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.

A vivid sequel that strains credulity.

Pub Date: Feb. 11, 2020

ISBN: 978-1-982113-60-5

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 20, 2019

Kirkus Reviews Issue: Nov. 15, 2019

Close Quickview