There must be a reason why stridently feminist fiction falls into two camps: realist novels-of-manners that owe their inspiration to Jane Austen and the tradition she belongs to; and bohemian experimental train wrecks like Drexler's latest. After a couple of books from major publishers in the late '70s and early '80s (Starburn; Bad Guy), Drexler appears to have retreated to the academic fringe for this dialogue-intensive yarn narrated by Julia Maraini, a flip, glib, impoverished young video artist loping across the Manhattan art world's weird landscape, struggling to get an NEA grant so she can continue to work. The book is funny in a willfully absurd sort of way: Julia must contend with vaguely predatory landlords, sexually deviant Brazilian industrialists, a deranged husband, ditzy curators, dependent friends, and a couple of oddly named cops—Detective Flamingo and Detective Palm Trees—who keep showing up, like Rosencrantz and Guildenstern, to interrogate and accuse. When Julia discovers a pair of skeletons in her garbage, she incorporates them into her ongoing video project, interviewing them with a supply of Beckettesque dialogue. The tape of these morbid proceedings disappears, only to return as a snuff flick starring the Brazilian industrialist, who has been writing letters to Julia describing his debauched exploits with cows and his daughter-in-law. All of this may be suitably kooky, but it's also mostly unreadable; unlike other American writers, among them Paul Auster, who cleave to witless, cloyingly hip European models for fiction, Drexler at least understands that surrealism isn't supposed to come with a moral, though she appears not to grasp that it requires a supreme clown to make it lively. Roaming the general Kathy Acker neighborhood, this protypically overhip novel will try the patience of even the most ardent enemy of conventional, patriarchal storytelling.
Pub Date: March 1, 1996
ISBN: 0-932511-98-8
Page Count: 187
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1996
BOOK REVIEW
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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