An intriguing memoir of a European woman plantation owner in Rwanda over the past half-century, written with grace and self-assurance by Carr, with help from her niece. Carr moved to the then Belgian Congo in 1949 in an attempt to salvage her marriage to an English explorer and big game hunter. That particular relationship failed to pan out, but her lifelong liaison with Africa was kindled. She and her husband had stumbled upon the gorgeous landscape that lay along the Rwanda-Congo border, at the time under a benign Belgian territorial mandate, but soon to be a hotbed of contentions: independence struggles, efforts to save the last habitat of the mountain gorilla, genocidal ethnic fighting. She lands first in the Congo, where she runs a pyrethrum (a natural insecticide) plantation, and then moves away from her husband to a similar if more spectacularly situated plantation in Rwanda. Carr is a keen observer, adept at both landscape description—and this is a landscape that barks for hyperbole, and Carr’s delineations are vivid but controlled—and summarizing historical moments (“the 1950s in Rwanda were the waning years of a great kingdom . . . florid and baroque”). She appreciates the various shades of gray that color her region’s circumstances: she provides a neat, crisp summation of Hutu-Tutsi enmity and its cruel consequences over their 400-year association, and she maps Belgian colonial desires in the Congo and Rwanda and Burundi. She exudes common sense and integrity in matters of politics and business (she is invariably on the brink), then softens the story by lacing it with personal relationships (including a rocky but intense one with Dian Fossey) and life at her compound, where bougainvillea twine with the climbing roses, crested cranes rule the sky, elephants are garden pests, and an active volcano lights the night horizon. A quiet and elegant beauty of a memoir, with a dignity that is at once antique and enviable. (First serial to Vogue)
Pub Date: Sept. 1, 1999
ISBN: 0-670-88780-3
Page Count: 256
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1999
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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