FerrÇ's second novel in English, and first since her NBA- nominated The House by the Lagoon (1995), creates a colorful family saga as a way to explore the modern political and social history of her native Puerto Rico. The narrator, Elvira Vernet, claims descent from two prominent families whose divergent natures effectively embody contrary strains in the national character. Elvira's mother, Clarissa Rivas de Santillana, grew up among a privileged family made wealthy by its several sugar plantations and given to a dreamlike, contemplative ``faith in inspiration, the importance of aesthetic experience, and love of nature.'' FerrÇ skillfully traces the consequences of the Santillanas' passivity throughout three generations, focusing on the educational and marital experiences of Clarissa and her four sisters (``the five Ledas of Mount Olympus''), all named after their studious mother's favorite literary heroines. The best of their several stories include the continuing romantic misadventures of ``Tia LakhmÇ'' and the betrayal of the devotion to poetry of ``Tia Dido'' (when her literary hero Juan Ramon Jimenez comes to lunch, and the scales fall from Dido's eyes forever). As the five daughters attend the university and their circle of acquaintances widens, the family is gradually drawn toward modern industrialism, leftist politics, the US, and the seeds of their ruin. By contrast, the family of Elvira's father, the Vernets, are dominated by patriarch Santiago (``Chaquito'') and his four sons: bluff, extroverted careerists whose commercial ice-plant and cement factory prosper, placing them in the forefront of Puerto Rico's struggles for independence, though nothing can save them from a destiny of violent conflict, infidelity, and suicide. Moving like a firestorm, the novel throws off subsidiary characters and subplots with too-often confusing and occasionally reckless abandon. It's difficult to absorb all the particulars of FerrÇ's crowded narrative, and to distinguish among her many characters and their convoluted relationships. Still, one admires FerrÇ's ferocious ingenuity and energy as she depicts a society and century in flux. This most demanding of her novels so far is probably also the best.
Pub Date: Feb. 1, 1998
ISBN: 0-374-14638-1
Page Count: 336
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1997
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
