by Rose Boyt ‧ RELEASE DATE: Feb. 1, 1992
An occasionally interesting but out-of-focus story about a girl-child named Rose (make what you will of the fact that the protagonist and author share a moniker), written by Sigmund Freud's great-granddaughter. Boyt's first novel was called Sexual Intercourse (1990); this one could be subtitled Sexual Abuse, since it chronicles the way Rose's stepfather molested her—and not even very secretly—throughout her childhood. Actually, though, it's the trappings of Rose's youth that are most compelling. Her earliest memories are of sailing from England to Denmark aboard her new daddy's boat; going eel fishing; making weekly visits to a bathhouse with her sister and brother to wash off the salt spray; enduring a storm at sea; and later settling down in Trinidad, where she watches her mother wrestle with a woman who's come on to stepfather Klaus. Rose is also witness and prisoner to her mother's fecundity (``I only have to look at a naked man to get pregnant''). Thus, every year Rose's mother produces another baby, with Rose soon giving her childhood over to infant care. But she is not fated to linger long at the sidelines of sex, since Klaus begins visiting her in bed. Craving approval and affection, the girl comes to appreciate his attention. Eventually, though, Klaus disappears, and the family spends many grim years in a tatty section of London, where Rose does downers and becomes a teenage tart. Interspersed throughout here are fleeting glimpses of Rose as an adult, experiencing murkily rendered problems with romance. But how the girl's youth informs her life remains a giant question mark. Unsatisfying as a sexual history, and in the end one wishes Boyt could imagine a novel that has to do with something besides sex—like character and plot for starters.
Pub Date: Feb. 1, 1992
ISBN: 0-679-40812-6
Page Count: 180
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1991
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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