PARIS, I LOVE YOU BUT YOU'RE BRINGING ME DOWN

bookshelf

PARIS, I LOVE YOU BUT YOU'RE BRINGING ME DOWN

Name: PARIS, I LOVE YOU BUT YOU'RE BRINGING ME DOWN
Author: Rosecrans Baldwin
ISBN: 978-0-374-14668-9

by Rosecrans Baldwin ‧ RELEASE DATE: May 1, 2012

Great fun and surprisingly touching.

bookshelf

A charming, hilarious account of la vie Parisienne as experienced by an observant young American.

Working for an advertising agency while he wrote his first novel (You Lost Me There, 2010), Baldwin discovered some very French things about office life in Paris: You have to eat lunch, because the company docks a portion of your pay and returns it to you as meal coupons. Aggressively sexual comments and jokes about Jews or blacks are fine, and anyone offended by them is being “pay-say” (PC, the dreaded politically correct). It’s virtually impossible to get fired, even if you rarely show up, do no work and are thoroughly obnoxious. The author also discovered that French banks seem never to have heard of credit cards, and although he and his wife qualified as legal residents for health-insurance coverage, the cards permitting them to actually use the insurance didn’t arrive until a month before they left. Nonetheless, despite tight finances and loud construction work around their apartment, Baldwin fell in love just like everyone else. “Dude, Paris,” said a friend after the author explained that it took him 15 minutes to buy a bottle of water in a café because the woman in front of him in line wanted to know what made the salad taste so good, which required the input of two employees and a phone call to the manager. “Honestly, nothing comes close.” As the dude suggests, the author and his friends were not so long out of college—he turned 31 while he was there in the spring of 2008—and still settling into adult life. There were lots of parties, and work at the ad agency apparently consisted mostly of jetting around meeting celebrities for the Louis Vuitton account. Baldwin, a witty and polished writer, never pretends to be doing more than taking snapshots, but his vivid impressions of Paris and its people (expats included) are most engaging.

Great fun and surprisingly touching.

Pub Date: May 1, 2012

ISBN: 978-0-374-14668-9

Page Count: 304

Publisher: Farrar, Straus and Giroux

Review Posted Online: Jan. 29, 2012

Kirkus Reviews Issue: Feb. 15, 2012

Categories:

GENERAL NONFICTION

- BOOK REVIEW
EVERYTHING NOW
by Rosecrans Baldwin

- BOOK REVIEW
THE LAST KID LEFT
by Rosecrans Baldwin

- BOOK REVIEW
YOU LOST ME THERE
by Rosecrans Baldwin

bookshelf

NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

bookshelf

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

bookshelf

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

bookshelf

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.