by Rosemary Bailey ‧ RELEASE DATE: Sept. 1, 1998
Successfully integrating her voices of loving sister and dispassionate reporter, the author, a journalist, tells the life story of her brother, Simon Bailey, a gay priest in the Church of England who died in 1995 of AIDS. Drawing from his journals and sermons, from interviews with parishioners, other family members, and friends, the author traces the rocky path her brother walked from his youthful awareness of sexual difference, to his conversion out of the austere Baptist Church in which he was raised into the more “esthetic and sensual” Church of England, to his ordination, years of ministry to Dinnington parish in Yorkshire, and his final physical decline under the tender watch and care of his devoted parishioners. Much of the drama of the story unfolds in the step-by-step process by which the priest admits friends, close parishioners, family, church hierarchy, and the press—in that order—to the knowledge of his illness, a sequence that moves the author frankly to confess how “immensely sad” it is that she, her siblings, and parents were not among the first to be trusted with the news. That unself-justifying candor is part of what makes Bailey the perfect memorialist of her brother. Though she joyfully communicates the high points of reactions to his illness—especially the unprecedented public support he received, as an AIDS-afflicted Anglican priest, to continue actively in his priestly office, as he wished, up until he died’she also admits to moral misgivings over the secrecy he kept for so long. Simon’s shortened life reminds Bailey of the dying Beth from Little Women; but his capacity to transform private suffering into eloquent and edifying sermons will suggest to many readers of Scarlet Ribbons another, more ambiguous literary portrait from Hawthorne’s Scarlet Letter: the long-suffering minister, Arthur Dimmesdale. The ambiguities in Simon’s life that the author preserves in her memorial of him will deepen and extend the impression he leaves. (16 b&w photos)
Pub Date: Sept. 1, 1998
ISBN: 1-85242-521-0
Page Count: 216
Publisher: Serpent’s Tail
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1998
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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