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In another of her novels featuring a strong-willed heroine, Enright (The Walled Garden, 1993, etc.)herself a former member of the British Women's Army Corpsputs a feminist spin on the generational pull of the army. Esme Hansard, the orphaned child of decorated WW II heroes, has been raised by her aunt Alice, also a celebrated officer. When of age, then, Esme follows in her family's footsteps and joins the Women's Royal Army Corps. Thanks to her prestigious military background, as well as the strength of character she's inherited from her mother and aunt, Esme is capable and confident but appears a threat to intimidated superiors who constantly harass and abuse her. While battling the forces conspiring against her, she falls in love with Clive Carson, a snobbish officer in the Household Cavalry, who breaks her heart when he leaves her for a socially prominent woman. The last straw comes, though, when she's sent to the forbidding North Country and subjected to severe humiliation at the hands of the all-male barracks. Falsely accused of insubordination, she's put on six months' probation and decides, in disgust, to leave the army forever. Fortunately (it seems), she meets and marries Ivor Llewellyn, with whom she has a daughter, Vonnie, and for a short time lives happily. But when Ivor, guided by rank-climbing aspirations, becomes insufferably domineering, Esme divorces him, sends Vonnie to live with Aunt Alice, and becomes a reporter on the front lines of a war in East Arabia. The cycle will continue, as Enright establishes in the final pages: Vonnie is fighting in the Gulf War, and Esme is where she was born to be: by her daughter's side in the army. Despite a preponderance of technical army-speak, the independent, charismatic Esme shoulders the narrative with aplomb.

Pub Date: Oct. 17, 1995

ISBN: 0-312-13575-0

Page Count: 336

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1995

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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