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FLAME-COLORED TAFFETA

The preeminent master of British historical fiction for young people turns her hand to the 18th century, a story of smugglers on the Sussex coast and an emissary of Bonnie Prince Charlie. Damaris, farmer's daughter, and Peter, vicar's son, are secretly nursing an injured vixen in an abandoned woodland cottage; when Damaris finds a wounded man nearby, they assume he's a smuggler. Enlisting the aid of Genty, the wise woman and healer, they house him with the vixen, extricate a bullet, and do their best to nurse him. The man calls himself Tom Wildgoose, and he carries letters for the lost cause to which he is ruefully loyal. The vixen, cured, runs free; when the squire's hounds trail her to the cottage, endangering Damaris, Tom heroically poses as a French smuggler and is captured. His subsequent escape is exciting but bittersweet: Damaris never sees him again, but five years later he sends her, as promised, flame-colored taffeta for her wedding petticoat. In Sutcliff's hands, this conventional plot is transformed by skillfully evocative use of historical detail, deft orchestration of characters and events, and balanced, economical use of language. Both lively adventure and love story, it should find a wider audience than books she has set in the more distant past.

Pub Date: Nov. 19, 1986

ISBN: 0374423415

Page Count: 129

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 10, 2012

Kirkus Reviews Issue: Oct. 15, 1986

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PEMMICAN WARS

A GIRL CALLED ECHO, VOL. I

A sparse, beautifully drawn story about a teen discovering her heritage.

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In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.

Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.

A sparse, beautifully drawn story about a teen discovering her heritage.

Pub Date: March 15, 2018

ISBN: 978-1-55379-678-7

Page Count: 48

Publisher: HighWater Press

Review Posted Online: Feb. 28, 2018

Kirkus Reviews Issue: May 1, 2018

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THE LAST TIGER

An unwieldy but emotionally intense fantasy.

In the Riew siblings’ debut, inspired by their Korean grandparents’ experiences during Japan’s early-20th-century colonization of Korea, a hunt is on for the last surviving tiger.

In the Tiger Colonies, this fantasy world’s version of occupied Korea, tigers have been nearly wiped out by the Dragon Empire. These oppressive rulers believe that tiger ki, or powers, strengthen the Tiger people, and therefore, the animals must be exterminated. Lee Seung, who’s from a poor Tiger family, works for the wealthy Chois, a Tiger family who collaborate with the Dragons. Choi Eunji might live in material comfort, but her home feels like “a cage” thanks to her parents’ high expectations and control of her every move. She offers to tutor Seung for the Adachi Training Academy’s entrance exam; graduates attain elite, powerful positions. In return he’ll help Eunji experience life outside her cloistered manor. Despite their class differences, both teens long for freedom, but Seung fails the exam, and their paths diverge. They reunite during a frantic search for the last tiger—but are their motivations aligned? Some plot developments feel contrived, and the introduction of real historical elements at times feels deliberately educational rather than naturally emerging from the story. Nevertheless, the story vividly highlights the plight of Koreans during a traumatic era.

An unwieldy but emotionally intense fantasy. (authors’ note, diary excerpts) (Fantasy. 12-18)

Pub Date: July 29, 2025

ISBN: 9798217002047

Page Count: 416

Publisher: Kokila

Review Posted Online: May 3, 2025

Kirkus Reviews Issue: June 1, 2025

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