In an effort to imagine the origin of the ancient White Horse of Uffington, cut into a hillside with what she feels to be a magical power, Sutcliff invents Lubrin Dhu, a chief's third son, who is somehow possessed of the true artistic impulse, a need to get into his impermanent drawings the feel and the flight of the birds—or of the horses which are at the center of his people's economy. But invaders from the South, also horse people, conquer their hold, and for the sake of the few of his people who survive the siege, Lubrin makes a bargain with the new chief. He will create the horse on the hillside, and in return his people will be free to move on to other, dreamed-of horse runs further north. Sutcliff refers to Lubrin's work as picture-magic, and though she never suggests any particular beliefs associated with the activity, it is understood by all that Lubrin's own ritual death must be part of the contract. And so Lubrin creates a horse worth dying for, even though he knows that a lesser work would satisfy the one who ordered it. Though Sutcliff has given us more rounded recreations in the past, and here as elsewhere her plot sometimes seems too well made, her vision of an artist simultaneously—in fact, indissolubly—true to his art and to his people is impressively realized.
Pub Date: March 20, 1978
ISBN: 0525404953
Page Count: 111
Publisher: Dutton
Review Posted Online: May 10, 2012
Kirkus Reviews Issue: March 1, 1978
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
Playful, engaging, and full of opportunities for empathy—a raucous storytime hit.
Readers try to dislodge a monster from the pages of this emotive and interactive read-aloud.
“OH NO!” the story starts. “There’s a monster in your book!” The blue, round-headed monster with pink horns and a pink-tipped tail can be seen cheerfully munching on the opening page. “Let’s try to get him out,” declares the narrator. Readers are encouraged to shake, tilt, and spin the book around, while the monster careens around an empty background looking scared and lost. Viewers are exhorted to tickle the monster’s feet, blow on the page, and make a really loud noise. Finally, shockingly, it works: “Now he’s in your room!” But clearly a monster in your book is safer than a monster in your room, so he’s coaxed back into the illustrations and lulled to sleep, curled up under one page and cuddling a bit of another like a child with their blankie. The monster’s entirely cute appearance and clear emotional reactions to his treatment add to the interactive aspect, and some young readers might even resist the instructions to avoid hurting their new pal. Children will be brought along on the monster’s journey, going from excited, noisy, and wiggly to calm and steady (one can hope).
Playful, engaging, and full of opportunities for empathy—a raucous storytime hit. (Picture book. 2-7)Pub Date: Sept. 5, 2017
ISBN: 978-1-5247-6456-2
Page Count: 32
Publisher: Random House
Review Posted Online: June 4, 2017
Kirkus Reviews Issue: June 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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