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THE NIGHT BURNS BRIGHT

The child narrator’s perspective builds surprisingly effective suspense and horror.

An Earth-loving collective turns sinister.

Lucien has no memory of life before House of Earth, his colorful upstate New York private school, where his classmates are “friends” and his teacher is a “mentor.” Students spend their days learning about the natural world, naming animals, plants, and trees, and learning how to live in “harmony” as a “collective.” Yet some of the lessons are stricter than others, like when Lucien is publicly reprimanded by Jack for painting his birdhouse black because it’s “negative” or when the class gets in trouble for attending a fellow student’s pool party. Lucien’s mother works at House of Earth, so she consistently and gently reinforces these lessons, especially the beneficence of House of Earth’s founder, O.C. Leroux. In the aftermath of 9/11 and the start of the war with Afghanistan, the collective begins to build dormitories and a wall to keep their people in and everyone else out. But it isn’t until friends begin disappearing that Lucien truly starts to wonder whether House of Earth may not be the utopia it claims to be. The novel follows Lucien as he grows, so the observations and voice of the early parts are childlike; Lucien sees everything but often doesn’t comprehend the true significance of Jack’s lectures or punishments or his mother’s lessons. This creates additional suspense, as the reader knows from the beginning that something is seriously awry despite the beatific vision offered by the collective. It’s hard not to root for Lucien and to desperately hope that his mother will save him, for their bond is lovingly conveyed throughout the first half of the book. Though Barkan never uses the word cult, House of Earth is chillingly evocative of many, and as the novel takes its darker turns, the end is both shocking and inevitable.

The child narrator’s perspective builds surprisingly effective suspense and horror.

Pub Date: Feb. 1, 2022

ISBN: 978-1-5420-3715-0

Page Count: -

Publisher: Lake Union Publishing

Review Posted Online: Nov. 16, 2021

Kirkus Reviews Issue: Dec. 1, 2021

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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