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THE NIGHT BURNS BRIGHT

The child narrator’s perspective builds surprisingly effective suspense and horror.

An Earth-loving collective turns sinister.

Lucien has no memory of life before House of Earth, his colorful upstate New York private school, where his classmates are “friends” and his teacher is a “mentor.” Students spend their days learning about the natural world, naming animals, plants, and trees, and learning how to live in “harmony” as a “collective.” Yet some of the lessons are stricter than others, like when Lucien is publicly reprimanded by Jack for painting his birdhouse black because it’s “negative” or when the class gets in trouble for attending a fellow student’s pool party. Lucien’s mother works at House of Earth, so she consistently and gently reinforces these lessons, especially the beneficence of House of Earth’s founder, O.C. Leroux. In the aftermath of 9/11 and the start of the war with Afghanistan, the collective begins to build dormitories and a wall to keep their people in and everyone else out. But it isn’t until friends begin disappearing that Lucien truly starts to wonder whether House of Earth may not be the utopia it claims to be. The novel follows Lucien as he grows, so the observations and voice of the early parts are childlike; Lucien sees everything but often doesn’t comprehend the true significance of Jack’s lectures or punishments or his mother’s lessons. This creates additional suspense, as the reader knows from the beginning that something is seriously awry despite the beatific vision offered by the collective. It’s hard not to root for Lucien and to desperately hope that his mother will save him, for their bond is lovingly conveyed throughout the first half of the book. Though Barkan never uses the word cult, House of Earth is chillingly evocative of many, and as the novel takes its darker turns, the end is both shocking and inevitable.

The child narrator’s perspective builds surprisingly effective suspense and horror.

Pub Date: Feb. 1, 2022

ISBN: 978-1-5420-3715-0

Page Count: -

Publisher: Lake Union Publishing

Review Posted Online: Nov. 16, 2021

Kirkus Reviews Issue: Dec. 1, 2021

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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WITCHCRAFT FOR WAYWARD GIRLS

A pulpy throwback that shines a light on abuses even magic can’t erase.

Hung out to dry by the elders who betrayed them, a squad of pregnant teens fights back with old magic.

Hendrix has a flair for applying inventive hooks to horror, and this book has a good one, chock-full with shades of V.C. Andrews, The Handmaid’s Tale, and Foxfire, to name a few. Our narrator, Neva Craven, is 15 and pregnant, a fate worse than death in the American South circa 1970. She’s taken by force to Wellwood House in Florida, a secretive home for unwed mothers where she’s given the name Fern. She’ll have the baby secretly and give it up for adoption, whether she likes it or not. Under the thumb of the house’s cruel mistress, Miss Wellwood, and complicit Dr. Vincent, Neva forges cautious alliance with her fellow captives—a new friend, Zinnia; budding revolutionary Rose; and young Holly, raped and impregnated by the very family minister slated to adopt her child. All seems lost until the arrival of a mysterious bookmobile and its librarian, Miss Parcae, who gives the girls an actual book of spells titled How To Be a Groovy Witch. There’s glee in seeing the powerless granted some well-deserved payback, but Hendrix never forgets his sweet spot, lacing the story with body horror and unspeakable cruelties that threaten to overwhelm every little victory. In truth, it’s not the paranormal elements that make this blast from the past so terrifying—although one character evolves into a suitably scary antagonist near the end—but the unspeakable, everyday atrocities leveled at children like these. As the girls lose their babies one by one, they soon devote themselves to secreting away Holly and her child. They get some help late in the game but for the most part they’re on their own, trapped between forces of darkness and society’s merciless judgement.

A pulpy throwback that shines a light on abuses even magic can’t erase.

Pub Date: Jan. 14, 2025

ISBN: 9780593548981

Page Count: 496

Publisher: Berkley

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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