ACHOO! BANG! CRASH!

Noise is a sure-fire theme in picture books and the cover alone will entice kids to this retro abecedarium akin to Brown’s Noisy Book. The telling is in the type, literally, as word sounds, set in 19th-century wood type and printed in bright colors on a handpress, enact small scenes for each letter; e.g., H is visualized with a child pointing at a man wearing a tie, garters, and jacket but no shirt or pants, with the words “HAW” and “HEE HEE.” Some displays are standard, like “GRRR,” “GRUNT,” “GROWL,” while some are unusual like “FA-DWAP” and “FWIP.” Q is the best; with the word “QUIET” superimposed on “QUACKS” as a toddler pulls a duck toy and a man holds his ears. Over 70 words are composed, each in a different typeface. The 1940/’50s illustration style. with pudgy-kneed, round-faced kids, provides effective backdrops for the dramatized sounds. The yellow-dominant palette against cream paper infuses energy into the actions, many containing monsters. Great potential for reading aloud and program sharing. Endnote describes the process. (Picture book. 4+)

Pub Date: Aug. 1, 2003

ISBN: 0-7613-1796-1

Page Count: 32

Publisher: Roaring Brook Press

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 2003

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Haphazard but jolly enough for one outing; it probably won’t last for more.

THE CRAYONS' CHRISTMAS

From the Creative Creature Catcher series

A flurry of mail addressed to Duncan’s crayons ushers in the Christmas season in this novelty spinoff of the bestselling The Day the Crayons Quit (2013) and The Day the Crayons Came Home (2015).

Actual cards and letters are tucked into envelopelike pouches pasted to the pages; these are joined in some cases by other ephemera for a package that is likely to invite sudden, intense play followed by loss and/or damage that will render the book a disappointment to reread. That’s probably OK, as in contrast to the clever story that kicked this small series off, this outing has a hastily composed feel that lacks cohesion. The first letter is addressed to Peach from Mom and includes a paper doll of the “naked” (de-wrappered) crayon along with a selection of tabbed changes of clothing that includes a top hat and tails and a bikini top and bottom. Peach’s implied gender fluidity does not mitigate the unfortunate association of peach with skin color established in the first book. The sense of narrative improvisation is cemented with an early page turn that takes the crayons from outdoors snow play to “Feeling…suddenly very Christmas-y, the crayons headed inside.” Readers can unpack a box of punch-out decorations; a recipe for gluten-free Christmas cookies that begins “go to store and buy gluten-free cookies”; a punch-out dreidel (turns out Grey is Jewish); a board game (“six-sided die” not included); and a map of Esteban (aka Pea Green) and Neon Red’s travels with Santa.

Haphazard but jolly enough for one outing; it probably won’t last for more. (Novelty. 4-8)

Pub Date: Oct. 15, 2019

ISBN: 978-0-525-51574-6

Page Count: 52

Publisher: Penguin Workshop

Review Posted Online: Aug. 18, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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THE BOY WHO LOVED WORDS

A charmingly prolix tall tale of a boy so word-obsessed that he collects new words on slips of paper. They bulge from his pockets, float around his head and fill his world. Classmates nickname Selig “Wordsworth” and give him a word for his collection: “oddball.” The discovery that his purpose in life is to share his carefully chosen words with others leads to success and love. And, “if, one day, . . . the perfect word just seems to come to you . . . you’ll know that Selig is near.” Schotter’s words are enlivened by Potter’s distinctively naïve figures, all placed in settings in which words and labels are scattered about in a way that invites close inspection and promotes purposeful inquiry. It all adds up to an *exultant encounter, chockablock with tintinnabulating gusto (*see tantalizing glossary appended). A gift to precocious children and teachers as well. (Picture book. 5-8)

Pub Date: March 28, 2006

ISBN: 0-375-83601-2

Page Count: 40

Publisher: Random House

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 2006

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