Kids will come for the monster and the disembodied hand. They’ll stay for the story.
A good old-fashioned man/appendage love story for the ages.
Henry’s just your typical Frankenstein’s monster, “bits-and-pieces kind of guy.” Prone to having his body parts wander off without him, he’s closest to his right hand. Alas, Henry fails to appreciate the hand’s work, cruelly exploiting its helpful little green digits, sending it out to start the car on cold mornings and making it get up to change the channel. Little wonder that, one day, he finds that it has taken off for the big city. There, it saves a rich man from certain death and instantly becomes the talk of the town. Yet at the end of the day, even fame and fortune cannot compare to a good friend who knows you like the back of…well, you know. The combination of a rags-to-riches tale and the monster genre might appear jarring in the abstract, but MacDonald manages to make the enterprise work. The text is warm and friendly, though adults of a certain age will have a hard time not thinking of Thing from The Addams Family. Meanwhile, the art takes advantage of classic 1930s tropes, from crooked caps and newsboys to mailrooms and wealthy socialites.
Kids will come for the monster and the disembodied hand. They’ll stay for the story. (Picture book. 3-7)Pub Date: Oct. 1, 2013
ISBN: 978-1-4197-0527-4
Page Count: 48
Publisher: Abrams
Review Posted Online: Aug. 27, 2013
Kirkus Reviews Issue: Sept. 15, 2013
Sure to have little ones giggling.
Jacques is a hedgehog with a big secret: “I wear real, bona fide underwear.”
Our narrator received a mysterious package one day; an illustration shows a pair of underwear tied to a balloon with a note “from the Universe” floating down into Jacques’ burrow. Hedgehogs don’t wear underwear, however. Will Jacques be shunned? Jacques worries but comes to a decision: “I have to wear them. When I do I feel special.” Determined, Jacques, who’s been invited to a party, makes a dramatic entrance, with undies in hand. Jacques’ declaration (“I WEAR UNDERWEAR”) is met with remarks of dismay, before another hedgehog opens up about similar fears and shows off a pair of cowboy boots. More hedgehogs introduce themselves with their own confessions. The story ends with Jacques unveiling a painting of the underwear in a gallery filled with hedgehogs wearing all sorts of attire. Though the book is simple in plot, characters, and setting, it wins in its balance of bathroom humor, dramatic storytelling, and celebrations of individual expression. French words are peppered throughout, adding to the fun without detracting from the story for those unfamiliar with the language. The cartoonish illustrations brim with fun; Valdez relies heavily on geometric shapes (triangle noses for the hedgehogs; huge circles for their eyes). Details such as speech bubbles and recurring turtle and snake characters contribute to the outlandish humor.
Sure to have little ones giggling. (Picture book. 3-5)Pub Date: April 1, 2025
ISBN: 9781250814388
Page Count: 40
Publisher: Roaring Brook Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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