A compassionate portrait of a man on the verge filled with disquieting tension.
A working-class Glaswegian widower starts to drown under the weight of his own sorrow.
In his second novel, Raisin (Out Backward, 2008) explores work, family and grief. While this book is a less showy, more introspective bit of fiction, it showcases the author’s immense talent for occupying characters both through their inner lives and the ways in which they are perceived by those around them. A steadfastly Scottish novel, it opens on a funeral. Former shipbuilder Mick Little is suffering through the worst hard time. After years dragging his family around Australia before returning to Glasgow, he’s lost his job as a minicab driver and his wife has just died. Worse, she died from the results of asbestos that Mick carried home on his clothes for decades. His son Robbie, in from Australia, tries to support his Da, but Mick’s estranged son Craig can’t hide his anger for his father’s culpability. The in-laws, in from the Highlands, have taken over all arrangements, leaving Mick with no role in the tragedy of his life. “So this is grief, well,” Raisin writes from inside his broken vessel. “Sat at the kitchen table with all your joys and your miseries sleeping and snoring about you and you sat there wondering what to do for your breakfast.” This distinctly northern vernacular may be off-putting for readers, but, like with Irvine Welsh or James Kelman, the journey is worth the navigation. When he can’t stand it anymore, Mick boards a bus bound for London, taking the meager savings earned from selling off the gold and trinkets left in his home. It’s painful to watch as Raisin’s beleaguered everyman slouches inevitably towards homelessness. But the author carries off his poignant meditation on the plight of the modern working man with an incisive absence of melodrama and an austere dignity.
A compassionate portrait of a man on the verge filled with disquieting tension.Pub Date: Feb. 7, 2012
ISBN: 978-0-06-210397-0
Page Count: 272
Publisher: Perennial/HarperCollins
Review Posted Online: Dec. 3, 2011
Kirkus Reviews Issue: Dec. 15, 2011
BOOK REVIEW
BOOK REVIEW
Simmering with tension, this tragic, albeit imperfect, mystery is sure to keep readers inching off their seats.
A forsaken family bound by grief still struggles to pick up the pieces 12 years after their mother’s death.
When famous author Gil Coleman sees “his dead wife standing on the pavement below” from a bookshop window in a small town on the southern coast of England, he follows her, but to no avail, and takes a near-fatal fall off a walkway on the beach. As soon as they hear word of his accident, Gil’s grown daughters, Nan and Flora, drop everything and return to their seaside family home in Spanish Green. Though her father’s health is dire, Flora, Gil’s youngest, can’t help but be consumed by the thought that her mother, Ingrid—who went missing and presumably drowned (though the body was never found) off the coast more than a decade ago—could be alive, wandering the streets of their town. British author Fuller’s second novel (Our Endless Numbered Days, 2015) is nimbly told from two alternating perspectives: Flora’s, as she re-evaluates the loose ends of her mother’s ambiguous disappearance; and Ingrid’s, through a series of candid letters she writes, but never delivers, to Gil in the month leading up to the day she vanishes. The most compelling parts of this novel unfold in Ingrid’s letters, in which she chronicles the dissolution of her 16-year marriage to Gil, beginning when they first meet in 1976: Gil is her alluring professor, they engage in a furtive love affair, and fall into a hasty union precipitated by an unexpected pregnancy; Gil gains literary fame, and Ingrid is left to tackle motherhood alone (including two miscarriages); and it all bitterly culminates in the discovery of an irrevocable betrayal. Unbeknownst to Gil and his daughters, these letters remain hidden, neglected, in troves of books throughout the house, and the truth lies seductively within reach. Fuller’s tale is eloquent, harrowing, and raw, but it’s often muddled by tired, cloying dialogue. And whereas Ingrid shines as a protagonist at large, the supporting characters are lacking in depth.
Simmering with tension, this tragic, albeit imperfect, mystery is sure to keep readers inching off their seats.Pub Date: Feb. 7, 2017
ISBN: 978-941040-51-5
Page Count: 368
Publisher: Tin House
Review Posted Online: Oct. 4, 2016
Kirkus Reviews Issue: Oct. 15, 2016
Part of Hoffman's great talent is her wonderful ability to sift some magic into unlikely places, such as a latter-day Levittown (Seventh Heaven, 1990) or a community of divorcÇes in Florida (Turtle Moon, 1992). But in her 11th novel, a tale of love and life in New England, it feels as if the lid flew off the jar of magic—it blinds you with fairy dust. Sally and Gillian Owens are orphaned sisters, only 13 months apart, but such opposites in appearance and temperament that they're dubbed ``Day and Night'' by the two old aunts who are raising them. Sally is steady, Gillian is jittery, and each is wary, in her own way, about the frightening pull of love. They've seen the evidence for themselves in the besotted behavior of the women who call on the two aunts for charms and potions to help them with their love lives. The aunts grow herbs, make mysterious brews, and have a houseful of—what else?—black cats. The two girls grow up to flee (in opposite directions) from the aunts, the house, and the Massachusetts town where they've long been shunned by their superstitious schoolmates. What they can't escape is magic, which follows them, sometimes in a particularly malevolent form. And, ultimately, no matter how hard they dodge it, they have to recognize that love always catches up with you. As always, Hoffman's writing has plenty of power. Her best sentences are like incantations—they won't let you get away. But it's just too hard to believe the magic here, maybe because it's not so much practical magic as it is predictable magic, with its crones and bubbling cauldrons and hearts of animals pierced with pins. Sally and Gillian are appealing characters, but, finally, their story seems as murky as one of the aunts' potions—and just as hard to swallow. Too much hocus-pocus, not enough focus. (Book-of-the-Month Club selection)
Pub Date: June 14, 1995
ISBN: 0-399-14055-7
Page Count: 256
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
BOOK TO SCREEN
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