An engaging tale that wears its sincerity proudly and offers readers spiritual sustenance.
In this novel, a patient tries to save a man through friendship and love—with some angels looking on and help from Middle Eastern wisdom.
Willie Owen is in a very bad way. He got a taste of happiness as a talented high school and college football star, but that soured quickly in the face of his dysfunctional upbringing. His mother demeaned him; his father was distant; and the two eventually divorced. As is often the case, Willie blamed the problems mostly on himself. His own marriage is no better; he lives like a ghost in the same house with his wife and two kids. As a custodian at the M.D. Anderson Cancer Center in Houston, he meets Wisam, a young man from Lebanon who is dying of lung cancer. For Wisam, the glass is always half—no, three-quarters—full. In fact, he is a self-appointed angel figure, determined to teach Willie how to be happy. After many painful, even slogging chapters—including Wisam’s family’s horrifying story—Willie may be on the path to success. Abdullaoglu is clearly an author who writes from the heart. The only striking physical action occurs when Willie gets fed up with the rude and cynical Dr. Stevens, the book’s foil, and decks him. This is a philosophical novel that poses the question (among others): How can a person find happiness? Or, put another way, how can one break the chains that years of unhappiness forge? One thinks of E.A. Robinson’s haunting lines “Familiar as an old mistake, / And futile as regret.” That is the Willie who agonizes in silence, a case study in the corrosive effects of anger and the possible salvation that lies in forgiveness. These are not new ideas. One could easily call them bromides, and Willie’s arc may seem a bit simple and obvious to many readers. But the author has created two strong characters in Willie and Wisam and added some genuine wisdom and intriguing developments.
An engaging tale that wears its sincerity proudly and offers readers spiritual sustenance.Pub Date: July 1, 2020
ISBN: N/A
Page Count: 295
Publisher: Self
Review Posted Online: Aug. 3, 2020
Kirkus Reviews Issue: Oct. 15, 2020
Review Program: Kirkus Indie
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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