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THE DIVORCÉES

A transporting psychological novel of friendship and betrayal, with the moody period feel of a Hitchcock film.

At a divorce ranch in the 1950s, a lonely woman in her early 20s finds a beautiful, mysterious friend.

Lois Saunders’ trip from Lake Forest, Illinois, to Reno, Nevada, is the first step in her liberation from her husband and her father, both of whom infantilize her. At the Golden Yarrow, she will be part of a small group of women waiting out the six weeks of residency required for a divorce. “Like the girls from school, they all have the fresh, clear skin that signifies not just money, but wealth—Lois’s lesser lineage apparent in the bumps prickling her forehead, the thick hair on her forearms.” Though she lies about her background to impress them, the girls close ranks. Her father has told the director not to let her leave the ranch, so she doesn’t go with them on their nightly outings to bars and casinos, and she has no urge to join their daily trail rides. Filled with self-doubt verging on self-loathing, Lois is surprised when a glamorous new guest—who arrives with a huge bruise on her face and goes into seclusion for several days—emerges to choose her, Lois, as her new best friend. Greer Lang wears men’s oxford shirts and exudes such confidence that the director’s daughters wonder if she’s a princess. Her approval unlocks access to the group for Lois, who’s soon tossing back cocktails at the casino and feeling as if she’s becoming a different person. But just as the lizard curled on her windowsill turns out to be an illusion, a shadow, things are not what they seem. Though it’s filled with colorful imagery, dark green dresses and burgundy lips, Beaird’s debut has the hypnotic pacing and dramatic ambience of an old black-and-white film. Her research about the divorce-ranch phenomenon and its period expresses itself in myriad small, compelling details, winking like the stones on the engagement rings the girls toss into the river after their court dates—though Lois’ ring has a different fate.

A transporting psychological novel of friendship and betrayal, with the moody period feel of a Hitchcock film.

Pub Date: March 19, 2024

ISBN: 9781250896582

Page Count: 272

Publisher: Flatiron Books

Review Posted Online: Dec. 16, 2023

Kirkus Reviews Issue: Jan. 15, 2024

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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