An unhappy and overweight single Londoner finds her world transformed after donning a very special pair of shoes.
As the reliable and trusted underling to gleefully ruthless talent agent Victoria Kincade, Willow Briar is used to fading into the background, especially when surrounded by Victoria’s celebrity clients. Attractive but heavy, she has seen numerous opportunities—and men—pass her by. A bit of a recluse outside of work, she remains close with her twin sister Holly, a slim, sweet mother of 4-year-old girls who lives in the suburbs. Holly is a living reminder of everything Willow could have been. So when Victoria insists Willow hide waifish starlet India Torrance in her dingy flat after an on-set romance goes bad, she knows she doesn’t really have a choice. After reluctantly agreeing, she walks into a vintage shop on a random block and walks out wearing a fabulous pair of sexy pumps. Almost instantly Willow feels better about herself, and begins to get positive attention from friends and strangers alike. And then Chloe, the pregnant teenage daughter of her ex-husband Sam, shows up on her doorstep. It was Sam, a ruggedly handsome wine merchant, who called off their marriage, but Willow blames herself. Losing Chloe in the process was extremely painful for both of them. Still smarting from Willow’s perceived abandonment, Chloe has attitude to spare, and insists Willow make it up to her by allowing her to crash at her place as well. With Chloe and the young movie star holed up and bonding, Willow tries out her new shoe-inspired confidence on her longtime best friend Daniel, a photographer with a thing for models. Willow meets up with Sam again, too, as they try to figure out what is best for Chloe. But when Willow sabotages a chance for new love, she realizes that unresolved issues from her past have kept her from a fulfilling life. Eager to change that, she takes a brave trip back to her hometown to confront an ugly family secret—before it’s too late. Coleman (The Home for Broken Hearts, 2010, etc.) seems to be trying to do too much in this novel, and the shift from comedy to drama is a bit jarring. But Willow manages to be quite a sympathetic creation. One woman’s attempt to take charge of her destiny—with a side of magic realism.
Pub Date: March 20, 2012
ISBN: 978-1-4516-0641-6
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 1, 2012
Kirkus Reviews Issue: Feb. 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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