A city ruled by a large number of powerful magical guilds is nearly torn apart from within due to the actions of a corrupt mayor in Benaroch’s (A Guide to Getting the Best Health Care for Your Child, 2007, etc.) debut work of fiction.
Not simply the title, “Flow” is also the word the characters in Benaroch’s story use to define magic itself. Not unlike the concept of “The Force” in Star Wars, Flow refers to invisible strings of power that ripple throughout the world and bind it together. Representatives of the magical academies test all young children for the ability to interact with and manipulate Flow. Those who test positive are taken from their parents to be trained in sorcery, which is known as “woodcraft.” After years of arduous training, those who don’t flunk out must choose a Guild that best complements their particular strengths. Meanwhile, the mayor is trying to secretly consolidate power into her own hands by setting the Guilds against one another. Her plan is threatened by the unprecedented emergence of a number of people who discover that they can work magic on their own, outside of the Guilds. Benaroch’s fantasy is rich with imaginative detail and strong prose, and a number of creative characteristics (such as magical, anthropomorphized boxes known as “kitties,” and the mayor’s imposing security force, the Tinies) distinguish this novel from other similar tales. The author makes liberal use of satire and dark comedy, as the absurdities of this fictional society humorously comment on our own world’s impenetrable bureaucracies. Unfortunately, the characters aren’t nearly as well developed as the world they inhabit. The villain’s motivations remain murky at best. Benaroch does, however, manage to capture the alienation the magical characters experience quite beautifully, instilling the narrative with a thoughtful and much-needed human touch. Benaroch’s tightly plotted novel presents an expertly crafted world that avid fantasy readers should find rewarding, and its blend of suspense and humor will attract neophytes, as well.
Pub Date: Jan. 19, 2012
ISBN: N/A
Page Count: 182
Publisher: CreateSpace
Review Posted Online: March 16, 2012
Review Program: Kirkus Indie
Little Blue Truck keeps on truckin’—but not without some backfires.
Little Blue Truck feels, well, blue when he delivers valentine after valentine but receives nary a one.
His bed overflowing with cards, Blue sets out to deliver a yellow card with purple polka dots and a shiny purple heart to Hen, one with a shiny fuchsia heart to Pig, a big, shiny, red heart-shaped card to Horse, and so on. With each delivery there is an exchange of Beeps from Blue and the appropriate animal sounds from his friends, Blue’s Beeps always set in blue and the animal’s vocalization in a color that matches the card it receives. But as Blue heads home, his deliveries complete, his headlight eyes are sad and his front bumper droops ever so slightly. Blue is therefore surprised (but readers may not be) when he pulls into his garage to be greeted by all his friends with a shiny blue valentine just for him. In this, Blue’s seventh outing, it’s not just the sturdy protagonist that seems to be wilting. Schertle’s verse, usually reliable, stumbles more than once; stanzas such as “But Valentine’s Day / didn’t seem much fun / when he didn’t get cards / from anyone” will cause hitches during read-alouds. The illustrations, done by Joseph in the style of original series collaborator Jill McElmurry, are pleasant enough, but his compositions often feel stiff and forced.
Little Blue Truck keeps on truckin’—but not without some backfires. (Board book. 1-4)Pub Date: Dec. 8, 2020
ISBN: 978-0-358-27244-1
Page Count: 20
Publisher: HMH Books
Review Posted Online: Jan. 18, 2021
Kirkus Reviews Issue: Feb. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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