by Roy Choi with Tien Nguyen and Natasha Phan photographed by Bobby Fisher ‧ RELEASE DATE: Nov. 5, 2013
A bold account of how a professionally trained chef found his calling in the return to simpler, homestyle cooking that...
Street-wise, honest in its admission of trials and punctuated with vernacular swagger, Choi’s debut pays tribute to family and his enduring fascination with the melting pot of Los Angeles.
Named Best New Chef by Food & Wine in 2010, the author is the co-founder and co-owner of Kogi BBQ, Chego! and other restaurants. With co-writers Nguyen and Phan, Choi recounts key moments during his childhood and teenage years as the son of Korean immigrants who ran the Silver Garden restaurant and whose path from apartments in Koreatown to a mansion in Mission Viejo was marked by turmoil and adventuresome forays in the jewelry trade. Choi’s experiences of love, success, failure, duty and the culture shock of upward mobility during the 1980s set the stage for drug experimentation and gambling addiction. Later chapters detail the sudden realization that led him to the Culinary Institute of America in New York, his apprenticeship and his rise in the restaurant industry. Choi presents the impressive turnaround with gratitude and panache, which balance an otherwise casual tone rife with expletives. Dozens of recipes range from indulgent cheap eats, such as instant ramen with sliced cheese, to more complex fare, including duck breast and beef medallions. From deli-style pecan pie to eggplant curry, kimchi jjigae to carne asada, Choi’s eclectic selections are not intended to showcase his finest repertoire; they represent tried-and-true comfort foods that have sustained him at varying stages during his life. Using memory as a guide, this highly personal tour of LA and New York reveals pockets of ingenuity in vibrant, sometimes-rough neighborhoods.
A bold account of how a professionally trained chef found his calling in the return to simpler, homestyle cooking that bridges cultures and appeals to everyday customers.Pub Date: Nov. 5, 2013
ISBN: 978-0-06-220263-5
Page Count: 352
Publisher: Anthony Bourdain/Ecco
Review Posted Online: Oct. 19, 2013
Kirkus Reviews Issue: Nov. 1, 2013
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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