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RITERS

A sometimes-preposterous but often profound tale of civilization struggling to persevere.

In this debut sci-fi novel, one man’s journey leads to a group of survivors spending a century aboard a spaceship in search of a new Earth.

September 2197 marks the 100th anniversary for the people on Protostar, who will finally learn of the events preceding their expedition. It begins in the late 21st century with the “spacecase hero” named “Harrison, Jack.” He’s a spacecase because he’s String-trained, able to access the fifth dimension. Stealing a micro thought-recorder gets Harrison sent to work in subterranean mines in Alaska. It’s there he notices authorities’ apparent mistake in removing both the thought-recorder and his Appro-recall implant. Harrison has newfound perception, since part of the Appro-recall’s function is to block full access to memories. Fellow mining techies, led by “Larkill, Han,” enlist Harrison for a prison break: they plan to drill their way to the surface and head to Sanatan, the Satcit (satellite city) version of Las Vegas. Harrison can use his skills to play the String game, with everyone then splitting the winnings for whatever destination’s next. Along the way, Harrison has new experiences, including sex that isn’t virtual. Nevertheless, Han has another plan involving hijacking a ship and starting a new civilization elsewhere. Indeed, Earth has been devastated by overpopulation, global warming, and a third world war. But Han’s true objective may entail some explosions and ensuing deaths. Before long, someone’s being held captive by a very dangerous organization, and somewhere in the months prior to Protostar’s takeoff is a secret (or two) that’s been hidden for 100 years. Harris’ story is a shrewd genre piece taking place in an expansive universe that doesn’t shy away from farce. For example, the techie escapees encounter Bob, an unabashed cannibal who remembers his last girlfriend more fondly as a meal. Likewise, it seems Dog has taken the place of God, as in “Dogdamn” and “Oh my Dog, there is a Dog!” (The eventual explanation for this is best left unspoiled, though it’s certainly bizarre.) Other aspects of the future world, however, are deeper. The state of Earth, for one, is clearly derived from present-day concerns, and the only real form of government is 7, or the Seven Cartels—cartels around the globe under one umbrella. One of the tale’s strongest points is its treatment of flesh-and-blood intimacy versus the virtual kind Harrison initially prefers. There are numerous instances of the former in which affection is surprisingly lacking from either partner, while Harrison, when on the String, is tender and vulnerable with Han. Dialogue’s rife with jargon typically defined by context. Several characters speak Amerab (American-abbreviated), which the narrative doesn’t translate, but there are only a few words at a time (and they are memorable: “Washi mufu?”). But some readers may be thrown by the excessive amount of commas throughout. One example of how this can be jarring is the spoken line “Do you see, Jack?” Though it looks to be dialogue uttered to Harrison, he’s actually the subject of the query and not in the scene.

A sometimes-preposterous but often profound tale of civilization struggling to persevere.

Pub Date: July 20, 2017

ISBN: 978-1-63568-122-2

Page Count: 501

Publisher: Page Publishing

Review Posted Online: Oct. 12, 2017

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THE MEMORY POLICE

A quiet tale that considers the way small, human connections can disrupt the callous powers of authority.

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A novelist tries to adapt to her ever changing reality as her world slowly disappears.

Renowned Japanese author Ogawa (Revenge, 2013, etc.) opens her latest novel with what at first sounds like a sinister fairy tale told by a nameless mother to a nameless daughter: “Long ago, before you were born, there were many more things here…transparent things, fragrant things…fluttery ones, bright ones….It’s a shame that the people who live here haven’t been able to hold such marvelous things in their hearts and minds, but that’s just the way it is on this island.” But rather than a twisted bedtime story, this depiction captures the realities of life on the narrator's unnamed island. The small population awakens some mornings with all knowledge of objects as mundane as stamps, valuable as emeralds, omnipresent as birds, or delightful as roses missing from their minds. They then proceed to discard all physical traces of the idea that has disappeared—often burning the lifeless ones and releasing the natural ones to the elements. The authoritarian Memory Police oversee this process of loss and elimination. Viewing “anything that fails to vanish when they say it should [as] inconceivable,” they drop into homes for inspections, seizing objects and rounding up anyone who refuses—or is simply unable—to follow the rules. Although, at the outset, the plot feels quite Orwellian, Ogawa employs a quiet, poetic prose to capture the diverse (and often unexpected) emotions of the people left behind rather than of those tormented and imprisoned by brutal authorities. Small acts of rebellion—as modest as a birthday party—do not come out of a commitment to a greater cause but instead originate from her characters’ kinship with one another. Technical details about the disappearances remain intentionally vague. The author instead stays close to her protagonist’s emotions and the disorientation she and her neighbors struggle with each day. Passages from the narrator’s developing novel also offer fascinating glimpses into the way the changing world affects her unconscious mind.

A quiet tale that considers the way small, human connections can disrupt the callous powers of authority.

Pub Date: Aug. 13, 2019

ISBN: 978-1-101-87060-0

Page Count: 288

Publisher: Pantheon

Review Posted Online: May 12, 2019

Kirkus Reviews Issue: June 1, 2019

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THE THREE-BODY PROBLEM

From the Remembrance of Earth's Past series , Vol. 1

Remarkable, revelatory and not to be missed.

Strange and fascinating alien-contact yarn, the first of a trilogy from China’s most celebrated science-fiction author.

In 1967, at the height of the Cultural Revolution, young physicist Ye Wenjie helplessly watches as fanatical Red Guards beat her father to death. She ends up in a remote re-education (i.e. forced labor) camp not far from an imposing, top secret military installation called Red Coast Base. Eventually, Ye comes to work at Red Coast as a lowly technician, but what really goes on there? Weapons research, certainly, but is it also listening for signals from space—maybe even signaling in return? Another thread picks up the story 40 years later, when nanomaterials researcher Wang Miao and thuggish but perceptive policeman Shi Qiang, summoned by a top-secret international (!) military commission, learn of a war so secret and mysterious that the military officers will give no details. Of more immediate concern is a series of inexplicable deaths, all prominent scientists, including the suicide of Yang Dong, the physicist daughter of Ye Wenjie; the scientists were involved with the shadowy group Frontiers of Science. Wang agrees to join the group and investigate and soon must confront events that seem to defy the laws of physics. He also logs on to a highly sophisticated virtual reality game called “Three Body,” set on a planet whose unpredictable and often deadly environment alternates between Stable times and Chaotic times. And he meets Ye Wenjie, rehabilitated and now a retired professor. Ye begins to tell Wang what happened more than 40 years ago. Jaw-dropping revelations build to a stunning conclusion. In concept and development, it resembles top-notch Arthur C. Clarke or Larry Niven but with a perspective—plots, mysteries, conspiracies, murders, revelations and all—embedded in a culture and politic dramatically unfamiliar to most readers in the West, conveniently illuminated with footnotes courtesy of translator Liu.

Remarkable, revelatory and not to be missed.

Pub Date: Nov. 11, 2014

ISBN: 978-0-7653-7706-7

Page Count: 400

Publisher: Tor

Review Posted Online: Oct. 4, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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