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SHERIDAN

Name: SHERIDAN
Author: Roy Morris
ISBN: 0-517-58070-5

THE LIFE AND WARS OF GENERAL PHIL SHERIDAN

by Roy Morris ‧ RELEASE DATE: May 1, 1992

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A vigorous biography of the pugnacious Civil War general and Indian fighter, affectionately called ``Little Phil''—behind his back. The Union cavalry leader who rallied his seemingly routed Army of the Shenandoah with an electrifying ride back to the front at the Battle of Cedar Creek, Sheridan (as detailed by Morris, editor of the magazine America's Civil War) emerges as supremely competent if not always likable. Unlike his superiors Grant and Sherman, Sheridan served in uniform without interruption for his entire adult life, rising from lowly origins as the son of an indigent Irish-Catholic immigrant to become commander of America's army. Gruff, combative, at times ruthless, he was, Morris explains, uncomfortable in postwar roles as military supervisor of Texas and Louisiana and as the politically incorrect destroyer of Western tribes (though his oft-quoted ``the only good Indian is a dead Indian'' may be apocryphal). Nor was he perfect in battle, as evidenced in lapses at Perryville and Chickamauga and in dragging his heels in destroying Lee's army after the Shenandoah campaign. Yet, unlike his subordinate, the dashing but foolhardy George Armstrong Custer, Sheridan, Morris demonstrates, was as deliberate and careful as he was brave. A master of detail since his days as a teenaged stock clerk and young quartermaster, he ensured that he led a force that was well supplied, effectively outnumbering and concentrated against the enemy, and thoroughly briefed by scouts and spies. His self-confident battlefield magnetism appealed both to the common soldier and to mentors such as Grant and Lincoln's chief of staff Henry Halleck. A pungent, authoritative, and convincing portrait of the bantam cadet who became one of the Civil War's giants. (Sixteen pages of b&w photographs; four maps.)

Pub Date: May 1, 1992

ISBN: 0-517-58070-5

Page Count: 464

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1992

Categories:

GENERAL NONFICTION

- BOOK REVIEW
FRAUD OF THE CENTURY
by Roy Morris

- BOOK REVIEW
THE BETTER ANGEL
by Roy Morris

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.