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MADNESS

A BRIEF HISTORY

A small book that raises big questions about the profession of psychiatry and the notion of scientific progress. (28 b&w...

A generously illustrated and pocket-sized distillation of the ways madness has been perceived and treated, from ancient times to the present.

Highly acclaimed medical historian Porter (Social History of Medicine/Univ. College London; The Greatest Benefit to Mankind: A Medical History of Humanity, 1998, etc.) traces changes in attitude toward madness all the way from prehistoric beliefs in demonic possession to the contention of some modern theorists that mental illness simply does not exist. He demonstrates how beliefs in supernatural causes were challenged by Greek medicine, which developed an explanation based on the four bodily humors (blood, phlegm, black and yellow bile), and how that approach was subsequently adopted by Western medicine. With generous use of quotations, he illustrates how in the 17th century new organic theories of insanity linking mind and body began to emerge, leading to the hope that those with mental disorders could be helped through retraining of their minds. Porter examines the drive toward institutionalization, how practical psychiatry developed from the experience of asylum managers, and how disappointment with the results of benign “moral therapy” led to the growing belief that madness was probably hereditary and incurable, which in turn led to compulsory confinement, sedation, and even sterilization. He chronicles the rise and decline of psychoanalysis, both Freudian and non-Freudian, the enormous impact of psychopharmacology, and the proliferation of psychotherapies designed to treat the astonishing number of conditions labeled as mental disorders in the American Psychiatric Association’s current Diagnostic and Statistical Manual. For those whose appetite will have been whetted by this literate little introduction, Porter appends a well-annotated selection of readings on aspects of his subject just touched on here.

A small book that raises big questions about the profession of psychiatry and the notion of scientific progress. (28 b&w illustrations, many of them etchings and engravings from the 16th to 19th centuries)

Pub Date: April 1, 2001

ISBN: 0-19-280266-6

Page Count: 240

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2002

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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